stalking

The Eagle’s Gift – Prologue

In the prologue to his work, Carlos Castaneda recounts the shift of his academic focus from anthropology to a personal journey into the world of sorcery under the tutelage of Don Juan Matus and Don Genaro Flores. After his teachers depart, Castaneda discovers nine other apprentices who now expect him to assume the role of their leader, the Nagual. This new responsibility, marked by intense clashes with the other apprentices, forces him into a state of profound self-discovery and obliges him to thoroughly review everything he has learned about the arts of dreaming and stalking in order to guide the group.

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The Eagle’s Gift – The Nagual’s Party of Warriors

In this chapter, Carlos Castaneda recounts his first formal encounters with the warriors of don Juan’s party, which are structured as a series of introductions corresponding to the four cardinal directions. Each meeting is a bizarre and often jarring experience, designed as a lesson in stalking and controlled folly, forcing him to confront his own self-importance and preconceived notions. Castaneda is introduced to a host of unique and powerful individuals, including the dreamers and stalkers who guard the gates to the Nagual’s world, the enigmatic leader Silvio Manuel, and Florinda, who is designated as his future guide into the art of stalking.

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The Eagle’s Gift – The Nagual Woman

This chapter recounts the intricate story of how don Juan met his own Nagual woman, Olinda. It details his benefactor’s masterful stalking strategy, which involved posing as a devout Catholic for nearly a year to orchestrate their meeting. After a failed abduction attempt by his warriors, an even more elaborate ploy is staged, resulting in Olinda joining don Juan’s world. The narrative also delves into the nature of double beings, the despair and ultimate freedom of his benefactor’s party, and concludes by explaining how don Juan eventually found and secured Carlos Castaneda and his corresponding Nagual woman, using similar principles of controlled folly and stalking.

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The Eagle’s Gift – Florinda

In this chapter, Carlos Castaneda is formally introduced to Florinda, the master stalker designated as his personal guide into that art. She explains that, unlike a male warrior, she is not bound by the need to erase her personal history and begins recounting her life story as a method of instruction. Castaneda learns of her spoiled, beautiful youth, which was abruptly ended by a crippling disease caused by sorcery. Her narrative then details the initial, brutal, and perplexing encounters with a mysterious woman “curer” who begins to challenge her deeply ingrained self-importance.

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The fixation of the assemblage point – The Art of Dreaming

In this chapter, don Juan introduces the concept of “stalking” as the art of fixating the assemblage point, which is crucial for achieving perceptual “cohesion” in new worlds entered through dreaming. He explains that the mysterious voice Castaneda has been hearing is the “dreaming emissary,” a conscious but impersonal energy from the realm of inorganic beings, which he warns against trusting. To illustrate the long and complex history of sorcerers’ interactions with such forces, don Juan tells the story of “the tenant,” a death-defying sorcerer from antiquity who survives for millennia by forming a symbiotic, energy-draining relationship with his lineage of naguals. The chapter culminates with Castaneda performing a practical exercise in stalking, using a mesquite tree to fixate a minute shift in his assemblage point, which plunges him into a fully sensorial other world and highlights the difference between the “human unknown” sought by old sorcerers and the “nonhuman unknown” which is the goal of modern ones.

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Taisha Abelar – exclusive interview with Keith Nichols

“Reflections on don Juan by Carlos Castaneda”by Keith Nichols Real root expansion of thought is one that causes us to reevaluate the way that we interpret our reality. Although at first it may only affect our intellectual perspectives, its repercussions

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The Shift Below – The Fire from Within

Continuing his lessons on the assemblage point, Don Juan explains to Castaneda that its movement beyond a certain limit can assemble entirely different worlds. He reveals that the Sonoran desert aids a “shift below” to the place of the beast, and introduces la Catalina as a powerful sorceress deeply connected to this type of shift. Castaneda recounts his chilling encounters with her, learning they were orchestrated to move his assemblage point. The trio’s dynamic, including Genaro’s humorous antics and the shared laughter, underscore the importance of inner silence and stopping the internal dialogue for freeing the assemblage point, a fixation taught since infancy. Don Juan cautions against the “high adventure of the unknown,” a dangerous pursuit favored by old seers like nagual Julian and la Catalina, who were waylaid by the allure of power and animal transformations (“shifts below”). Castaneda himself experiences a profound “shift below” during an encounter with la Catalina, perceiving her (and himself) as a grotesque creature and entering a non-human state of boundless awareness and joy. This experience, while deeply unsettling, proves to Don Juan that Castaneda has no inclination for such aberrant shifts, unlike the old seers. The chapter concludes with Don Juan explaining “skimming,” a unique human capacity to refine perception, a magical act that, if not controlled, can be a profound pitfall.

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