sorcery

Silent Knowledge – Dreaming

In this chapter, Castaneda explores the “art of dreaming,” which he defines as the sorcerers’ technique for breaking the parameters of normal perception to travel into the unknown. Don Juan explains that sorcerers’ dreaming (*ensoñar*) is different from ordinary dreaming (*soñar*) and is based on the deliberate displacement of the “assemblage point” from its usual position. This practice originated from the ancient sorcerers’ observation that the assemblage point moves naturally during sleep. The key to this art is the development of “dreaming attention,” a focused awareness that allows the practitioner to control the dream state and enter other real, energy-generating worlds. The art of dreaming is complemented by the “art of stalking,” which is the ability to hold the assemblage point fixed in its new position, allowing for a full exploration of these other realms.

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The Tonal and the Nagual – In Nagual’s Time

Carlos recounts his Thursday return to the market where don Juan had “shoved” him, only to find the coin and book stands only appear on Sundays, confirming the unreality of his previous experience. Don Juan and don Genaro appear, teasing him about his physical appearance. Don Genaro demonstrates extraordinary feats like standing horizontally on a tree trunk and gliding through the air, which Carlos struggles to comprehend and often experiences with physical discomfort or an altered state of perception. Don Juan explains that these are manifestations of the nagual, a non-rational aspect of reality, and emphasizes the importance of a clean tonal (the rational self) to interact with the nagual without being overwhelmed or destroyed. He clarifies that while his role as teacher is to work with Carlos’s tonal, don Genaro, as Carlos’s benefactor, introduces him to the nagual, demonstrating its boundless possibilities, even if the “how” remains indescribable and outside the realm of rational understanding.

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Introduction

This introduction clarifies Castaneda’s decade-long apprenticeship with Yaqui sorcerer don Juan Matus, culminating in the “stopping of the world”—a state of altered perception crucial to sorcery, which he initially misunderstood as reliant on psychotropic plants. Don Juan’s teachings, which redefine reality as merely a “description,” involve “seeing” beyond conventional “looking,” and he employs unique, often shocking, tactics to break ingrained perceptions. The narrative details how Castaneda’s early notes, previously discarded due to their lack of focus on hallucinogens, are now reinstated as foundational to understanding don Juan’s method of teaching a new “description of the world” that challenges and ultimately transcends ordinary reality.

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