sorcery

Silent Knowledge – Inner Silence

This chapter focuses on “inner silence,” the ultimate goal for the sorcerers of ancient Mexico and the culmination of the other four practices. Don Juan defined it as a natural state of perception free from the internal dialogue, where awareness becomes sharper and knowledge is instantaneous. This state is the matrix for an evolutionary leap called “silent knowledge”. Castaneda explains that it is achieved through the disciplined practice of forcing oneself to be silent for accumulating periods of time, until a personal threshold is crossed. He then recounts his own experience of reaching this threshold, which resulted in “stopping the world” and becoming consciously aware, for the first time, that he was *seeing* energy directly. Don Juan clarified that this was not a new perception, but rather becoming deliberately conscious of an awareness that had always been present.

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The Tonal and the Nagual – In Nagual’s Time

Carlos recounts his Thursday return to the market where don Juan had “shoved” him, only to find the coin and book stands only appear on Sundays, confirming the unreality of his previous experience. Don Juan and don Genaro appear, teasing him about his physical appearance. Don Genaro demonstrates extraordinary feats like standing horizontally on a tree trunk and gliding through the air, which Carlos struggles to comprehend and often experiences with physical discomfort or an altered state of perception. Don Juan explains that these are manifestations of the nagual, a non-rational aspect of reality, and emphasizes the importance of a clean tonal (the rational self) to interact with the nagual without being overwhelmed or destroyed. He clarifies that while his role as teacher is to work with Carlos’s tonal, don Genaro, as Carlos’s benefactor, introduces him to the nagual, demonstrating its boundless possibilities, even if the “how” remains indescribable and outside the realm of rational understanding.

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Introduction

This introduction clarifies Castaneda’s decade-long apprenticeship with Yaqui sorcerer don Juan Matus, culminating in the “stopping of the world”—a state of altered perception crucial to sorcery, which he initially misunderstood as reliant on psychotropic plants. Don Juan’s teachings, which redefine reality as merely a “description,” involve “seeing” beyond conventional “looking,” and he employs unique, often shocking, tactics to break ingrained perceptions. The narrative details how Castaneda’s early notes, previously discarded due to their lack of focus on hallucinogens, are now reinstated as foundational to understanding don Juan’s method of teaching a new “description of the world” that challenges and ultimately transcends ordinary reality.

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