sorcery

Journal of Applied Hermeneutics – The Second Principle of the Warrior’s Way: We Are What Our Inception Is

Castaneda presents the second premise of the warriors’ way: “We Are What Our Inception Is”. He relays don Juan Matus’s difficult teaching that one’s energetic makeup is profoundly shaped by the conditions of one’s conception. Don Juan used the term “bored fuck” (B.F.) for those conceived without genuine parental excitement, who are consequently energetically weak and needy. Don Juan’s practical advice for a B.F. was to become a “miser of energy” through abstinence from draining behaviors. The ultimate goal, he explained, is to remake oneself by “intending the inconceivable,” using any available emotional or sensational spark as fuel for transformation.

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Journal of Applied Hermeneutics – Readers of Infinity

In this author’s note, Castaneda reaffirms the journal’s goal: to disseminate the ideas from don Juan Matus’s cognitive world. He recounts his early, unsuccessful attempts to publish the work, which was rejected for not fitting conventional formats. He then announces a significant change: the journal’s name is changed from “The Warriors’ Way” to “READERS OF INFINITY”. This new title is inspired by don Juan’s concept of “reading infinity,” a state of perception achieved through “inner silence” where a seer can read the infinity that reveals itself on the horizon. The journal is presented as an invitation for everyone to take up this challenge.

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Journal of Applied Hermeneutics – What is Phenomenology?

Castaneda explores the philosophical method of Phenomenology, as developed by Edmund Husserl. He explains its core concepts, particularly the “epoché” or the “suspension of judgment,” a reduction intended to get back to the origin of experience. However, Castaneda argues from his experience with don Juan Matus that this suspension of judgment is impossible to achieve as a purely intellectual exercise. For sorcerers, suspending their interpretation system is not a philosophical choice but a practical necessity for survival required to perceive the unknown. He therefore proposes to correlate the intellectual propositions of Western philosophy with the pragmatic accomplishments of sorcerers.

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Journal of Applied Hermeneutics – Third Principle of the Warrior’s Way: Perception Must Be Intended In Its Completeness

Castaneda presents the third premise of the warriors’ way: “Perception Must Be Intended In Its Completeness”. He relays that don Juan Matus taught that all perception is inherently neutral, and must be accepted without judgment. Don Juan distinguished his teachings as entries from a “book of navigation” detailing sorcerers’ direct perceptions. The key to this premise is reinterpreting energy without the mind, an act requiring the whole being. This complete interpretation is achieved through the union of the physical body and the “energy body”. Therefore, intending perception in its completeness means reinterpreting energy with both of these essential parts of oneself fully engaged.

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Journal of Applied Hermeneutics – A New Area for Philosophical Inquiry

Castaneda proposes a new area for philosophical inquiry based on two core concepts from ancient Mexican sorcerers: “seeing” and “intent”. He defines “seeing” as the human capacity to directly perceive energy as it flows in the universe, using the entire organism. “Intent” is described as a conscious, universal force that sorcerers can engage with through the act of “intending”. Castaneda argues that the direct perception of energy can create a new form of subjectivity, free from the limits of language, allowing for a pragmatic and active intentionality that could transform philosophy into a practical discipline.

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Journal of Applied Hermeneutics – How to do Tensegrity

Castaneda explains that the magical passes, the foundation of Tensegrity, should be practiced not as exercise but as a way of “beckoning power”. Don Juan taught that their “magic” is a “touch of the spirit” that connects one to the life force. Castaneda notes that the confusion felt by new practitioners from the sheer number of movements is a deliberate sorcerers’ device to “saturate” the mind and induce “inner silence”. From this state, a practitioner gains clarity and knows instinctively how to use the movements to continue what don Juan called humanity’s interrupted “journey of awareness”.

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Silent Knowledge – The Magical Passes

In this chapter, Castaneda recounts his first in-depth discussion with don Juan Matus about the “magical passes,” which began with a criticism of his physical condition. Don Juan reveals he had been teaching Castaneda the passes all along, disguised as his habit of “cracking his joints.” He explains that these movements are not mere exercises but are truly “magical” because they can halt the mind’s normal “lines of similarity” and interrupt the mundane flow of reality, which is perceived as fixed and unchangeable. Don Juan also makes the startling claim that the mind is a “foreign installation” and that the passes help to overcome its influence. He reveals that the origin of the passes lies in the *dreaming* practices of ancient sorcerers, who discovered them as a way to recreate states of well-being and prepare for their “navigations into the unknown.”

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Silent Knowledge – The Center for Decisions

In this chapter, Castaneda explores the second topic of interest for the ancient sorcerers: “the center for decisions,” located in the “v” spot at the base of the neck. Don Juan explained that this is one of six main energy vortexes in the body, but its specific, fluid-like energy is displaced early in life, resulting in the human inability to make decisions. He also reveals the sorcerers’ view of the center at the top of the head, which they believe has been taken over by a “foreign installation”—the mind. The magical passes, or modern Tensegrity, serve to strengthen the other five centers by redistributing energy that has been scattered to the edges of a person’s luminous being. This redistribution of energy, especially to the center for decisions, restores the capacity to decide and overall vitality, overcoming the indecisiveness and exhaustion caused by the wear and tear of daily life.

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Silent Knowledge – The Recapitulation

In this chapter, Castaneda details the third pillar of sorcery practice: the “Recapitulation.” He describes it as a procedure for reliving one’s entire life with two main goals. The first is cosmological: to satisfy a universal force called “the Eagle,” which seeks a being’s life experiences, not its life force. By offering a detailed account of their lives, sorcerers can retain their life force at the moment of death and embark on a journey of perception as inorganic beings. The second goal is pragmatic: to acquire “perceptual fluidity.” Reliving memories forces the “assemblage point” to shift to its past positions, and this repetitive movement grants the practitioner the flexibility needed to face the unknown. Castaneda also describes the practical method taught by don Juan: making a list of all known persons and using a specific breathing technique to inhale recovered energy and exhale unwanted feelings associated with each memory.

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Silent Knowledge – Dreaming

In this chapter, Castaneda explores the “art of dreaming,” which he defines as the sorcerers’ technique for breaking the parameters of normal perception to travel into the unknown. Don Juan explains that sorcerers’ dreaming (*ensoñar*) is different from ordinary dreaming (*soñar*) and is based on the deliberate displacement of the “assemblage point” from its usual position. This practice originated from the ancient sorcerers’ observation that the assemblage point moves naturally during sleep. The key to this art is the development of “dreaming attention,” a focused awareness that allows the practitioner to control the dream state and enter other real, energy-generating worlds. The art of dreaming is complemented by the “art of stalking,” which is the ability to hold the assemblage point fixed in its new position, allowing for a full exploration of these other realms.

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