self-importance

Part One: Stopping the World – Erasing Personal History

In this part of his apprenticeship, Castaneda attempts to gather ethnographic data from don Juan, but the sorcerer consistently deflects his academic inquiries, especially concerning personal history, which he claims to have “dropped.” Don Juan asserts that shedding one’s past frees individuals from the constraints of others’ perceptions and cultivates a “fog” of mystery. He challenges Castaneda’s self-importance and rigid worldview through perplexing pronouncements and unconventional actions, such as interacting with plants and interpreting environmental cues as “omens” and “agreements.” Don Juan emphasizes that true learning involves relinquishing preconceived notions and adopting a state of constant alertness, rather than relying on external knowledge or conventional methods of understanding.

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The Requirements of Intent – Intending Appearances

In this account, Castaneda describes an extraordinary experience where his reasoning faculties ceased, and he felt a profound physical elation, being propelled through the chaparral without fatigue, a state don Juan later calls entering “silent knowledge” due to a movement of his assemblage point. During this, Castaneda perceives himself “looming over the bushes” and experiences being “here and here,” simultaneously observing the desert floor and the tops of shrubs, and being in two places at once (his standing spot and the jaguar’s location). This state allowed him to witness a real jaguar that he pursued, despite his academic mind trying to rationalize it as a mountain lion due to the unusual fauna. Don Juan explains that this spontaneous shift of Castaneda’s assemblage point was a result of the “spirit” moving it, and that for a sorcerer, intent—which is the spirit—can manipulate this point. He clarifies the difference between a profound “movement” and a smaller “shift” of the assemblage point and introduces the “third point” as freedom of perception, intent, and the spirit, which allows for a tridimensional perception beyond the usual two-dimensional reality. Don Juan emphasizes that while Castaneda’s experience was vital for him to access silent knowledge, the jaguar itself was the true manifestation of the spirit, a source of awe and magic, serving as a vehicle for his realizations. He also highlights the “macabre connection between stupidity and self-reflection” in average men who are blind to the existence and manipulability of the assemblage point and fear the freedom that sorcery offers.

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The Descent of the Spirit – The Place of No Pity

In this chapter, Don Juan orchestrates a dramatic scenario to teach Castaneda about ruthlessness and the “place of no pity.” By feigning a debilitating stroke, Don Juan forces the narrator into extreme discomfort and self-pity, pushing his assemblage point—a key concept in Castaneda’s work representing the focal point of perception—away from its usual position of self-reflection. This intense experience reveals to the narrator a dualism within himself: an old, indifferent part and a new, anxious part. Don Juan explains that this shift allows access to silent knowledge and frees one from self-importance, which is revealed as disguised self-pity. The lesson culminates in Don Juan’s swift recovery, exposing the entire event as a deliberate act to initiate the narrator into a deeper understanding of sorcery and a state of being characterized by detachment and sobriety.

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