nagual

The Sorcerers’ Explanation – The Strategy of a Sorcerer

Upon returning home, Carlos finds that his usual bewilderment after extraordinary experiences has diminished, and he feels ready to see don Juan again. Don Juan finds him in a Mexican market and takes him to don Genaro’s favorite spot, where he begins a thorough recapitulation of his teaching strategy. Don Juan explains that his role as teacher has been to “clean and reorder” Carlos’s tonal (the rational self) by guiding his attention, while don Genaro, as benefactor, is responsible for demonstrating the nagual (the non-rational, unknown side). He details various techniques used to achieve this, such as “grabbing with his will” to stop internal dialogue, the “right way of walking” to flood the tonal with information, and seemingly nonsensical “joking tasks” to teach acting without expecting rewards. Don Juan also explains how the worthy opponent, La Catalina, was used to force Carlos into choosing the warrior’s path. He emphasizes that the “sorcerers’ explanation” involves understanding that our perceived world is merely a reflection within a “bubble of perception,” which the teacher helps to rearrange and the benefactor helps to open from the outside, allowing access to one’s totality.

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The Sorcerers’ Explanation – The Bubble of Perception

Carlos arrives at Don Genaro’s house and finds don Juan, who playfully teases him. Don Juan then begins a comprehensive recapitulation of his teaching methods, explaining that his role as a teacher has been to “clean and reorder” Carlos’s tonal, while don Genaro’s role as benefactor is to provide direct demonstrations of the nagual. He reveals that his initial “hook” on Carlos involved focusing his will to numb Carlos’s tonal, and that techniques like the “right way of walking” and seemingly nonsensical tasks were designed to stop the internal dialogue and teach acting without expectation of reward. Don Juan emphasizes that erasing personal history, losing self-importance, assuming responsibility, and using death as an adviser were crucial for transforming the tonal. He explains that power plants were used when simpler recommendations failed, serving to temporarily stop the internal dialogue and provide glimpses of the nagual. Finally, he discusses the use of a “worthy opponent,” La Catalina, to force Carlos to choose the warrior’s path. Don Juan explains that the “sorcerers’ explanation” involves understanding the “bubble of perception” – a concept that reveals the perceived world as a reflection of our own attention and description, a bubble that the teacher helps to rearrange and the benefactor opens to reveal the totality of oneself.

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The Sorcerers’ Explanation – The Predilection of Two Warriors

Don Juan and Carlos meet Don Genaro, Pablito, and Nestor for what Don Juan declares will be their last journey together. Don Juan offers a poignant farewell, reminding Carlos of a cherished memory and the warrior’s way of accepting fate. Don Genaro shares a story about warriors facing a death sentence, emphasizing the importance of impeccability when confronting the unknown. As dusk settles, Don Juan and Don Genaro prepare Pablito and Carlos for their final plunge into the unknown, explaining that this is where the “bubble of perception” opens, and one can directly experience their totality as a cluster of feelings. They perform a final demonstration of “swimming” with the earth, revealing the warrior’s ultimate love for the world as the antidote to loneliness and the key to freedom. The chapter concludes with Pablito and Carlos, having bid their farewells, taking a final leap into the unknown, leaving Carlos alone in a new, unquantifiable state of being.

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The Requirements of Intent – Intending Appearances

In this account, Castaneda describes an extraordinary experience where his reasoning faculties ceased, and he felt a profound physical elation, being propelled through the chaparral without fatigue, a state don Juan later calls entering “silent knowledge” due to a movement of his assemblage point. During this, Castaneda perceives himself “looming over the bushes” and experiences being “here and here,” simultaneously observing the desert floor and the tops of shrubs, and being in two places at once (his standing spot and the jaguar’s location). This state allowed him to witness a real jaguar that he pursued, despite his academic mind trying to rationalize it as a mountain lion due to the unusual fauna. Don Juan explains that this spontaneous shift of Castaneda’s assemblage point was a result of the “spirit” moving it, and that for a sorcerer, intent—which is the spirit—can manipulate this point. He clarifies the difference between a profound “movement” and a smaller “shift” of the assemblage point and introduces the “third point” as freedom of perception, intent, and the spirit, which allows for a tridimensional perception beyond the usual two-dimensional reality. Don Juan emphasizes that while Castaneda’s experience was vital for him to access silent knowledge, the jaguar itself was the true manifestation of the spirit, a source of awe and magic, serving as a vehicle for his realizations. He also highlights the “macabre connection between stupidity and self-reflection” in average men who are blind to the existence and manipulability of the assemblage point and fear the freedom that sorcery offers.

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The Requirements of Intent – The Two One-Way Bridges

Castaneda reflects on his “here and here” experience, prompting don Juan to explain that such a “movement of the assemblage point” is a sorcerer’s goal, achieved through impeccability and curtailing self-reflection to access inner energy. Don Juan recounts his own initiation by nagual Julian, who, to teach him about the spirit, threw him into a raging river, forcing a shift into silent knowledge and split perception. Don Juan later learns from nagual Elías that Julian’s act was a masterful display of “waking up intent” to bring him to the “third point”—freedom of perception. This “third point” is a bridge from “reason” (the current human state) back to “silent knowledge,” accessible through “concern” and “pure understanding,” with the spirit responding to “gestures” of true abandon rather than words.

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The Requirements of Intent – The Third Point

Castaneda recounts an experience where his reason ceased, leading to a state of “silent knowledge” where his assemblage point shifted, allowing him to perceive “here and here”—being in multiple places at once. This enabled him to perceive a real jaguar, which don Juan explained was a manifestation of the spirit that moved Castaneda’s assemblage point through intent. Don Juan emphasizes that this “third point” is freedom of perception, beyond typical two-dimensional reality, and highlights how average men’s self-reflection prevents them from recognizing this accessible freedom.

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The Requirements of Intent – The Ticket to Impeccability

In “The Ticket to Impeccability,” don Juan continues to explain to Castaneda that a warrior’s journey involves moving the assemblage point and invalidating their old continuity to achieve impeccability, which he likens to a sorcerer’s symbolic death. Don Juan recounts his own “death” experience, wherein, as a young man, he was tricked by the nagual Julian and his cohort of women into believing in a terrifying monster, living in fear and working as their valet for three years. This intense period, marked by a loss of self-importance and a developing detachment, ultimately led to don Juan’s confrontation with the “monster,” which he discovered was merely an energetic surge, a manifestation of his own fear. After this realization and a period of trying to live a “normal” life, characterized by a loss of detachment and deep poverty, don Juan underwent a profound recapitulation of his life, which culminated in a literal “death” in a field. This symbolic death, which the Eagle then “spat out” due to his impeccable recapitulation, served as his “ticket to impeccability,” a state of heightened awareness that allowed him to return to Julian’s household as a true sorcerer, “dead” to the world, and prepared to face the world as a warrior.

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The Requirements of Intent – Breaking the Mirror of Self-Reflection

In this continuation, Don Juan further explains the process of breaking the mirror of self-reflection, emphasizing that the assemblage point can be moved by the nagual’s presence, but ultimately, it’s the spirit that makes the actual movement. He clarifies that instruction isn’t what moves the assemblage point; instead, it’s the curtailment of self-importance, which then releases energy, launching the assemblage point into a new perception. Don Juan illustrates this by recounting his manipulative tactics in Guaymas, which shattered Castaneda’s continuity and forced his assemblage point to the “place of no pity.” He reveals that his feigned senility was a deliberate act of masked ruthlessness, designed to bypass Castaneda’s rationality and lead him to a state of detached hardness, thereby beginning his journey into a “dreaming state” and the world of sorcery.

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The Descent of the Spirit – The Place of No Pity

In this chapter, Don Juan orchestrates a dramatic scenario to teach Castaneda about ruthlessness and the “place of no pity.” By feigning a debilitating stroke, Don Juan forces the narrator into extreme discomfort and self-pity, pushing his assemblage point—a key concept in Castaneda’s work representing the focal point of perception—away from its usual position of self-reflection. This intense experience reveals to the narrator a dualism within himself: an old, indifferent part and a new, anxious part. Don Juan explains that this shift allows access to silent knowledge and frees one from self-importance, which is revealed as disguised self-pity. The lesson culminates in Don Juan’s swift recovery, exposing the entire event as a deliberate act to initiate the narrator into a deeper understanding of sorcery and a state of being characterized by detachment and sobriety.

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The Trickery of the Spirit – The Four Moods of Stalking

This chapter, “The Four Moods of Stalking,” details don Juan’s instruction on the fundamental principles of stalking, emphasizing its four core moods: ruthlessness, cunning, patience, and sweetness. Through a vivid recollection triggered by a specific technique, the narrator recalls a pivotal early lesson in heightened awareness with don Juan and his companions, Silvio Manuel and Vicente Medrano. This lesson, which involved a surprising “test” of being tied up like a dog, revealed the narrator’s “indulgence” rather than the desired stalking traits. Don Juan explains that stalking is the art of breaking routine behavior to move the assemblage point, a feat that requires impeccability and goes beyond personal gain, ultimately leading to direct, “silent knowledge” of intent, which can only be truly commanded and utilized, not fully articulated or explained in words.

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