Carlos Castaneda

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The world of inorganic beings – The Art of Dreaming

This chapter details Castaneda’s first intentional journey into the world of inorganic beings. He learns to identify their “scouts”—incongruous elements in his dreams—and, following the ancient sorcerers’ method, voices his intent to follow one. He is pulled into a vast, spongy, tunnel-filled dimension, which the dreaming emissary explains is the interior of a massive inorganic being. The emissary acts as a guide, teaching Castaneda how to navigate this new reality and revealing that this is how the sorcerers of antiquity learned the secrets of dreaming. Don Juan warns him of the dangers, explaining that the inorganic beings are predators of awareness who imprison dreamers by catering to their desires. He recounts the cautionary tale of the nagual Elias and his partner Amalia, who were bodily transported to that world and became its prisoners, emphasizing the supreme risk of trusting these entities or becoming overconfident in one’s own control.

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The shadows’ world – The Art of Dreaming

In this text, Carlos Castaneda recounts his increasingly intense and perilous experiences with dreaming under the guidance of his teacher, don Juan. Carlos Castaneda is warned about the manipulative nature of inorganic beings who inhabit a separate universe accessible through the gates of dreaming. As Castaneda delves deeper, particularly into the “shadows’ world,” he encounters an “emissary” and other energetic entities, eventually discovering a “prisoner scout” in the form of a little girl. Don Juan expresses grave concern, emphasizing the dangers of becoming trapped by these beings, who covet human energy and use elaborate drills to ensnare dreamers. Despite the warnings and escalating anxiety, Castaneda finds himself inexorably drawn to this other realm, culminating in a desperate attempt to free the prisoner scout by merging his own energy with hers.

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The Blue Scout – The Art of Dreaming

Following a perilous dream experience, Carlos Castaneda wakes up severely depleted of energy in don Juan’s home, discovering he was pulled out of the inorganic beings’ world. His companions, especially Florinda Grau, explain his “energetic wounding” and how he became “charged again” but with a disturbing new energy. Don Juan eventually reveals that Castaneda’s physical body was abducted by inorganic beings after his energy body entered their realm to free the **blue scout**. Don Juan, along with Carol Tiggs and others, intervened to rescue him by displacing their assemblage points. The chapter highlights the unprecedented nature of this event within their lineage and the grave implications for Castaneda’s future, as he is now tasked with freeing the scout, a challenge don Juan suggests he can resolve by consulting the emissary.

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The Third Gate of Dreaming – The Art of Dreaming

Carlos Castaneda enters the **third gate of dreaming**, where the goal is to merge his dreaming reality with daily reality by consolidating his **energy body**. He struggles with the compulsion to be absorbed by mundane details within his dreams, a challenge don Juan attributes to the energy body’s inexperience. Don Juan emphasizes the role of the **assemblage point** in this process and reveals that Castaneda’s physical body was abducted by inorganic beings, only to be rescued by don Juan and his companions, including Carol Tiggs, who collectively shifted their assemblage points. Castaneda learns that his struggle to move in dreams is due to his trying to “walk” his energy body, when it should glide or soar. Don Juan then sets the next task: to practice **seeing energy** in his dreams, the true measure of whether he is in a real world or a mere phantom projection.

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The New Area of Exploration – The Art of Dreaming

In this chapter, Carlos Castaneda progresses to the “new area of exploration” in dreaming, focusing on **seeing energy** by voicing his intent. He recounts his initial struggles with this practice, as items in his dreams would vanish or change. Don Juan explains that his previous dreams were merely “phantom projections” and that true seeing occurs when the **energy body** perceives energy-generating items in a real world. Castaneda describes a vivid dream where he saw objects glow and encountered an aggressive, hateful energy. Don Juan reveals this was a real journey to another layer of the universe, where an entity attacked him due to his “availability.” Don Juan further reveals the profound and disturbing truth that the energy sorcerers use to move their **assemblage points** comes from the **inorganic beings’ realm**, a legacy from ancient sorcerers. Despite the danger, Castaneda is urged to continue his practices, maintain **impeccability**, and strive for **freedom** by subtly “stalking” the inorganic beings and taking their energy without succumbing to their influence.

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Stalking the Stalkers – The Art of Dreaming

Carlos Castaneda recounts his struggles with the collapsing boundary of the **second attention**, leading to fatigue and a need for don Juan’s aid. Don Juan proposes “stalking the stalkers” as the final task of the **third gate of dreaming**, which involves deliberately drawing energy from the **inorganic beings’ realm** to perform a sorcery feat: a journey using awareness as an energetic element. Carol Tiggs joins Castaneda for this dangerous endeavor. Their attempt results in an unexpected, terrifying abduction of their physical bodies into an unknown world by the inorganic beings, a trap previously set for ancient sorcerers. Don Juan explains that their combined energy, though substantial, wasn’t the primary factor in their journey; the inorganic beings’ manipulation was. He warns them that their unique situation makes them targets and advises them to avoid each other to prevent future abductions. Castaneda’s dreaming practices are then re-focused on **seeing energy** in various states.

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The Tenant – The Art of Dreaming

In this chapter, don Juan Matus informs Carlos Castaneda that his formal instruction in dreaming is over, but he must outline the fourth gate of dreaming. He takes Castaneda to a town in southern Mexico for a final lesson, which is to be delivered by a mysterious visitor. This visitor is revealed to be the “tenant,” an ancient sorcerer also known as the death defier. Castaneda is overcome with panic and revulsion when he discovers the tenant, who he had previously met as a man, is now a woman. Don Juan explains that for such a powerful sorcerer, gender is a matter of choice, achieved by shifting the assemblage point. Castaneda must now face the tenant alone to make a decision about accepting or rejecting the tenant’s “gifts of power,” a choice that every nagual in their lineage has had to make.

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The Woman in the Church – The Art of Dreaming

After being left by don Juan, Carlos Castaneda kneels in the church next to the death defier, an ancient sorcerer who appears as a woman. Initially terrified, he is mesmerized by her voice and presence. He offers her his energy freely but refuses her obligatory “gifts of power.” The woman then pulls him into the second attention, revealing the church and town as they existed in a different time, a product of her own intent. She explains the sorcerers’ art of creating veritable realms in dreaming through visualization and the technique of “twin positions.” Castaneda explores this tangible dream world with her, learning that only she generates energy within it. The experience culminates in a terrifying realization that their current reality might also be a shared dream, causing him to lose consciousness in a spinning descent into blackness.

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Journal of Applied Hermeneutics – Queries about the Warriors’ Way: The path without a teacher, Carlos’ plan, and Tensegrity

Carlos Castaneda addresses common inquiries about his role and the nature of Tensegrity and the warriors’ way. He clarifies that he sees himself as a counselor, aiming to guide others towards freedom from a “sight from the bridge” — a state of total silence where one perceives the present without the biases of the past or future. He emphasizes that the path is not about following a personal guru, as don Juan himself was a sorcerer perpetuating a lineage, not a teacher in the conventional sense. Instead, the true guide is the impersonal spirit or life force, accessible through inner silence. Castaneda explains that Tensegrity is a modernized system of “magical passes” — movements developed by ancient Mexican shamans to directly perceive energy — which were kept secret until now, as don Juan’s lineage concludes with his four disciples, freeing them to share this knowledge for the benefit of all, promoting well-being and breaking free from the constraints of everyday perception and self-importance.

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Journal of Applied Hermeutics – Fourth Principle of the Warrior’s Way: The Energy Body

The fourth unit of the warriors’ way is THE ENERGY BODY Don Juan Matus explained that, since time immemorial, sorcerers have given the name of energy body to a special configuration of energy which belongs to each human being individually.

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