Carlos Castaneda

Journal of Applied Hermeneutics – Queries about the Warriors’ Way: When am I going to see? Are you doing something to me?

In this section, Castaneda addresses two common questions. The first concerns when a practitioner will achieve “seeing,” the direct perception of energy. He explains that while practices are important, the crucial element is to “intend” the outcome—the state sorcerers call “stopping the world,” which is achieved by obliterating self-importance. The second question is about fear over strange physical sensations during Tensegrity. Castaneda recounts how don Juan Matus explained such feelings not as external manipulation, but as natural physiological responses or a product of one’s own victim mentality. Don Juan’s advice was to counter fear by being “impeccable”.

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Journal of Applied Hermeneutics – The Second Principle of the Warrior’s Way: We Are What Our Inception Is

Castaneda presents the second premise of the warriors’ way: “We Are What Our Inception Is”. He relays don Juan Matus’s difficult teaching that one’s energetic makeup is profoundly shaped by the conditions of one’s conception. Don Juan used the term “bored fuck” (B.F.) for those conceived without genuine parental excitement, who are consequently energetically weak and needy. Don Juan’s practical advice for a B.F. was to become a “miser of energy” through abstinence from draining behaviors. The ultimate goal, he explained, is to remake oneself by “intending the inconceivable,” using any available emotional or sensational spark as fuel for transformation.

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Journal of Applied Hermeneutics – What are Warrior Guardians?

In this log, Castaneda defines a “warrior guardian” as don Juan Matus’s term for a sorcerer—someone capable of interrupting their normal system of interpretation. He explains that the group known as the Chacmools was dissolved according to the dictates of energy, a force a warrior must obey. A new group selected by energy, the Energy Trackers, has replaced them. Castaneda relays don Juan’s explanation of energy tracking as following the trail of energy’s flow, which is experienced as a physical feeling rather than a visual sight. This new group naturally formed and developed this capacity, allowing energy to reveal itself to them.

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Journal of Applied Hermeneutics – Readers of Infinity

In this author’s note, Castaneda reaffirms the journal’s goal: to disseminate the ideas from don Juan Matus’s cognitive world. He recounts his early, unsuccessful attempts to publish the work, which was rejected for not fitting conventional formats. He then announces a significant change: the journal’s name is changed from “The Warriors’ Way” to “READERS OF INFINITY”. This new title is inspired by don Juan’s concept of “reading infinity,” a state of perception achieved through “inner silence” where a seer can read the infinity that reveals itself on the horizon. The journal is presented as an invitation for everyone to take up this challenge.

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Silent Knowledge – The Magical Passes

In this chapter, Castaneda recounts his first in-depth discussion with don Juan Matus about the “magical passes,” which began with a criticism of his physical condition. Don Juan reveals he had been teaching Castaneda the passes all along, disguised as his habit of “cracking his joints.” He explains that these movements are not mere exercises but are truly “magical” because they can halt the mind’s normal “lines of similarity” and interrupt the mundane flow of reality, which is perceived as fixed and unchangeable. Don Juan also makes the startling claim that the mind is a “foreign installation” and that the passes help to overcome its influence. He reveals that the origin of the passes lies in the *dreaming* practices of ancient sorcerers, who discovered them as a way to recreate states of well-being and prepare for their “navigations into the unknown.”

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Silent Knowledge – The Center for Decisions

In this chapter, Castaneda explores the second topic of interest for the ancient sorcerers: “the center for decisions,” located in the “v” spot at the base of the neck. Don Juan explained that this is one of six main energy vortexes in the body, but its specific, fluid-like energy is displaced early in life, resulting in the human inability to make decisions. He also reveals the sorcerers’ view of the center at the top of the head, which they believe has been taken over by a “foreign installation”—the mind. The magical passes, or modern Tensegrity, serve to strengthen the other five centers by redistributing energy that has been scattered to the edges of a person’s luminous being. This redistribution of energy, especially to the center for decisions, restores the capacity to decide and overall vitality, overcoming the indecisiveness and exhaustion caused by the wear and tear of daily life.

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Silent Knowledge – The Recapitulation

In this chapter, Castaneda details the third pillar of sorcery practice: the “Recapitulation.” He describes it as a procedure for reliving one’s entire life with two main goals. The first is cosmological: to satisfy a universal force called “the Eagle,” which seeks a being’s life experiences, not its life force. By offering a detailed account of their lives, sorcerers can retain their life force at the moment of death and embark on a journey of perception as inorganic beings. The second goal is pragmatic: to acquire “perceptual fluidity.” Reliving memories forces the “assemblage point” to shift to its past positions, and this repetitive movement grants the practitioner the flexibility needed to face the unknown. Castaneda also describes the practical method taught by don Juan: making a list of all known persons and using a specific breathing technique to inhale recovered energy and exhale unwanted feelings associated with each memory.

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Silent Knowledge – Dreaming

In this chapter, Castaneda explores the “art of dreaming,” which he defines as the sorcerers’ technique for breaking the parameters of normal perception to travel into the unknown. Don Juan explains that sorcerers’ dreaming (*ensoñar*) is different from ordinary dreaming (*soñar*) and is based on the deliberate displacement of the “assemblage point” from its usual position. This practice originated from the ancient sorcerers’ observation that the assemblage point moves naturally during sleep. The key to this art is the development of “dreaming attention,” a focused awareness that allows the practitioner to control the dream state and enter other real, energy-generating worlds. The art of dreaming is complemented by the “art of stalking,” which is the ability to hold the assemblage point fixed in its new position, allowing for a full exploration of these other realms.

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Silent Knowledge – Inner Silence

This chapter focuses on “inner silence,” the ultimate goal for the sorcerers of ancient Mexico and the culmination of the other four practices. Don Juan defined it as a natural state of perception free from the internal dialogue, where awareness becomes sharper and knowledge is instantaneous. This state is the matrix for an evolutionary leap called “silent knowledge”. Castaneda explains that it is achieved through the disciplined practice of forcing oneself to be silent for accumulating periods of time, until a personal threshold is crossed. He then recounts his own experience of reaching this threshold, which resulted in “stopping the world” and becoming consciously aware, for the first time, that he was *seeing* energy directly. Don Juan clarified that this was not a new perception, but rather becoming deliberately conscious of an awareness that had always been present.

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Silent Knowledge – The Westwood Series

This final chapter is dedicated to “The Westwood Series,” a specific sequence of magical passes designed to integrate the other four “concerns” of the ancient sorcerers: the center for decisions, the Recapitulation, dreaming, and inner silence. Don Juan explained that the magical passes themselves act as an “agglutinating force,” a vibration that binds these other areas of practice into a single, functional unit. The chapter serves as a practical manual, organizing the series into four distinct sections, each corresponding to one of the other concerns. It then provides detailed descriptions and instructions for performing each of the individual passes within these four categories, outlining their specific movements and energetic purposes.

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