Taisha is guided by the “Caregiver” in a consciousness projection exercise. Through deep relaxation techniques and breath control, she is instructed to create an “opening” in the “darkness” and release her consciousness through it.
In this chapter, Don Juan finally delivers the long-awaited “sorcerers’ explanation,” which turns out to be not an abstract theory but a meticulous, hours-long recapitulation of the narrator’s entire apprenticeship. He reveals the hidden strategy behind every lesson: to systematically “clean and reorder the island of the tonal” to prepare for the encounter with the nagual. After laying out the complete theoretical framework of his teachings—including the roles of the teacher and the benefactor and the nature of the “bubble of perception”—the chapter pivots from words to a terrifying, direct experience, as Don Juan and Don Genaro guide the narrator to leap into an abyss, forcing him to finally unfold the “wings of perception.”
Taisha is surprised by master sorcerer John Michael Abelar during her recapitulation practice. He instructs her on correct breathing and the existence of her subtle body or double, an etheric counterpart to the physical body. Abelar explains that recapitulation and breathing are essential for strengthening the double and transferring perception to this subtle part of the self, thus dissolving the barrier separating the physical and etheric aspects. He demonstrates his mastery by materializing with Clara shortly after their meeting in the cave, and teaches her how to use intention to handle energy and the double.
Towards the end of his lecture he gave a definition that I considered very important, because he touched on what I felt was a sensitive topic. He said: “Dreaming is not something impossible, it is just a kind of deep
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Taisha is guided by “the Caretaker” through an exercise in projecting her consciousness. Using techniques of deep relaxation and breath control, she is instructed to create an “opening” in the “blackness” and send her awareness through it.
In this chapter, Castaneda undergoes a harrowing physical ordeal which he and la Gorda identify as the final “loss of the human form,” resulting in a profound state of warrior’s detachment that erases his past resentments. This new state of being acts as a catalyst, unlocking a critical, completely forgotten memory of the “Nagual woman”—a serene and powerful counterpart to Don Juan who was, in fact, Castaneda’s partner. The shocking revelation that they could have forgotten such a pivotal figure plunges both him and la Gorda into a cycle of shared grief, rage, and fear as they begin to grapple with the true, terrifying extent of Don Juan’s manipulations on their memories and their very beings.
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In this chapter, to overcome their shared distress, Castaneda and la Gorda decide to attempt “dreaming together.” Castaneda outlines his four stages of dreaming before they successfully enter a shared dream, which is a vivid memory of Don Juan assigning la Gorda to him as a task to harness his selfishness. This experience also triggers the memory of another forgotten member of their party, Vicente. The breakthrough forces them into a detailed analysis of the art of dreaming, exploring concepts like the second attention, not-doing, the dreaming body, and will. The discussion culminates in la Gorda’s revelation that will is the control of the “other self,” and that Silvio Manuel was the ultimate master of it, a being permanently existing in his other self and commanding intent itself.
This chapter details Castaneda and la Gorda’s renewed attempts at “dreaming together,” leading them to a shared, barren landscape between the “parallel lines.” This experience unlocks a complete memory for Castaneda of a past event where he, la Gorda, the Nagual woman, and Silvio Manuel were taken to this same desolate place, which Don Juan called “limbo,” with their physical bodies. He recalls the terrifying ordeal of nearly dying from an overwhelming pressure and fear, a trial designed to force him to surrender his attachments. The chapter culminates in Castaneda and la Gorda’s profound realization about their own nature: that their past experiences were split between the awareness of the “right side” (the *tonal*) and the “left side” (the *nagual*). They conclude that their task of “remembering” is actually the warrior’s work of bridging these two sides by rearranging the non-linear “intensity” of the left side’s perception into a linear sequence their right side can comprehend.
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This chapter delves into the foundational mythos of the sorcerers’ world, which Castaneda calls “the rule of the Nagual.” He recounts how Don Juan, after a near-fatal encounter, was initiated into this rule by his own benefactor. The rule describes the Eagle, an immense cosmic force that consumes the awareness of all beings upon death. However, the Eagle also provides a gift: a chance to escape this fate and achieve freedom by keeping one’s awareness. To guide beings to this freedom, the Eagle created the Nagual, a double being who comes in a male/female pair. The chapter details the specific structure of a Nagual’s party—composed of four types of female warriors (the four directions) and four types of male warriors—and outlines their luminous features, their tasks of dreaming and stalking, and the cyclical duty of each Nagual to find and train a new party before departing the world.
In this chapter, Carlos Castaneda recounts his first formal encounters with the warriors of don Juan’s party, which are structured as a series of introductions corresponding to the four cardinal directions. Each meeting is a bizarre and often jarring experience, designed as a lesson in stalking and controlled folly, forcing him to confront his own self-importance and preconceived notions. Castaneda is introduced to a host of unique and powerful individuals, including the dreamers and stalkers who guard the gates to the Nagual’s world, the enigmatic leader Silvio Manuel, and Florinda, who is designated as his future guide into the art of stalking.
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