Taisha is guided by the “Caregiver” in a consciousness projection exercise. Through deep relaxation techniques and breath control, she is instructed to create an “opening” in the “darkness” and release her consciousness through it.
In this chapter, Don Juan finally delivers the long-awaited “sorcerers’ explanation,” which turns out to be not an abstract theory but a meticulous, hours-long recapitulation of the narrator’s entire apprenticeship. He reveals the hidden strategy behind every lesson: to systematically “clean and reorder the island of the tonal” to prepare for the encounter with the nagual. After laying out the complete theoretical framework of his teachings—including the roles of the teacher and the benefactor and the nature of the “bubble of perception”—the chapter pivots from words to a terrifying, direct experience, as Don Juan and Don Genaro guide the narrator to leap into an abyss, forcing him to finally unfold the “wings of perception.”
Taisha is surprised by master sorcerer John Michael Abelar during her recapitulation practice. He instructs her on correct breathing and the existence of her subtle body or double, an etheric counterpart to the physical body. Abelar explains that recapitulation and breathing are essential for strengthening the double and transferring perception to this subtle part of the self, thus dissolving the barrier separating the physical and etheric aspects. He demonstrates his mastery by materializing with Clara shortly after their meeting in the cave, and teaches her how to use intention to handle energy and the double.
Towards the end of his lecture he gave a definition that I considered very important, because he touched on what I felt was a sensitive topic. He said: “Dreaming is not something impossible, it is just a kind of deep
Dreaming is not something impossible, it is a kind of deep meditation Read More »
Taisha is guided by “the Caretaker” through an exercise in projecting her consciousness. Using techniques of deep relaxation and breath control, she is instructed to create an “opening” in the “blackness” and send her awareness through it.
In this chapter, Carlos Castaneda is formally introduced to Florinda, the master stalker designated as his personal guide into that art. She explains that, unlike a male warrior, she is not bound by the need to erase her personal history and begins recounting her life story as a method of instruction. Castaneda learns of her spoiled, beautiful youth, which was abruptly ended by a crippling disease caused by sorcery. Her narrative then details the initial, brutal, and perplexing encounters with a mysterious woman “curer” who begins to challenge her deeply ingrained self-importance.
In this climactic chapter, don Juan and his party of warriors prepare for their final departure from the world. After a final summation of their teachings, the warriors bestow their parting gifts upon Carlos Castaneda: duty, challenge, magic, and humor. The Nagual woman gives him an intense, final farewell, and Florinda explains the warrior’s ability to face the “wheel of time.” The party then disappears through a slit in reality, while simultaneously, don Juan has Castaneda jump into an abyss to interrupt the continuum of his time. As he falls, Castaneda witnesses the warriors transform into a line of exquisite lights, like the mythical Plumed Serpent, and vanish into the third attention, completing their journey to freedom.
In the prologue to his work, Carlos Castaneda recounts the shift of his academic focus from anthropology to a personal journey into the world of sorcery under the tutelage of Don Juan Matus and Don Genaro Flores. After his teachers depart, Castaneda discovers nine other apprentices who now expect him to assume the role of their leader, the Nagual. This new responsibility, marked by intense clashes with the other apprentices, forces him into a state of profound self-discovery and obliges him to thoroughly review everything he has learned about the arts of dreaming and stalking in order to guide the group.
In this chapter, Carlos Castaneda discusses his visit to the Atlantean figures in Tula with the other apprentices. This prompts la Gorda to recount a terrifying experience with a power rock from other ruins, which resulted in Don Juan burying her for nine days to shield her from the “fixation of the second attention” of its deceased owner. The conversation reveals the dangers of ancient sites, which can act as traps for the second attention, and the two faces of its fixation: the evil one focused on worldly power, and the other focused on the journey into the unknown. The chapter explores the concepts of the three attentions, the luminous body, and not-doing, while highlighting the growing tension within the group and their expectation for Castaneda to act as the Nagual.
The Eagle’s Gift – The Other Self – The Fixation of The Second Attention Read More »
In this chapter, Castaneda experiences a physical and mental crisis, which la Gorda identifies as him “losing the human form.” The tension culminates when Pablito runs away, forcing Castaneda to assert his Nagual authority by physically confronting the other apprentices; during this confrontation, he has a breakthrough and *sees* them as luminous beings for the first time. Later, on a trip to Oaxaca with la Gorda, the memory of Don Juan and a deep emotional connection between them catalyze a shared, sustained vision of people as “luminous eggs.” They realize they have achieved “seeing together,” a significant milestone, and la Gorda insists they must remain silent about the experience to preserve the power they have gained, hinting at a shared past that Castaneda cannot yet remember.
The Eagle’s Gift – The Other Self – Seeing Together Read More »
