personal power

The Active Side of Infinity – Starting On The Definitive Journey: The Jump Into The Abyss

In this climactic chapter, don Juan announces that his time on Earth is over and he is leaving on his “definitive journey.” On a remote mesa, he tells Castaneda that his final task as an apprentice is to jump into an abyss, an act that will plunge him into infinity. Before the jump, however, Castaneda must say good-bye to all those he is indebted to. He recounts three formative relationships from his childhood: with Mr. Acosta, a hunter who taught him about solitariness; with Sho Velez, a young friend whose courage taught him that one must have something to die for; and with his grandmother and her adopted son Antoine, whose dramatic departure taught him about the finality of time. After shouting his thanks to these “ghosts,” don Juan gives his final words of advice, urging Castaneda to be impeccable and to forget the self. Then, don Juan and his party of fifteen sorcerers transform into luminous beings and ascend into the sky. Knowing his time has also run out, Castaneda runs at full speed and leaps into the abyss.

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A Witness to Acts of Power – An Appointment With Knowledge

In this chapter, I unexpectedly find don Juan in Sonora, where he reveals that my true path to sorcerers’ knowledge lies in accumulating personal power, not through hallucinogenic plants or intellectual explanations. We visit a power spot where I am challenged to “see” a mysterious “moth,” which don Juan clarifies is a manifestation of knowledge. Despite my rational attempts to explain away the unsettling encounter, don Juan continually emphasizes the role of personal power, impeccability, and the silencing of internal dialogue in understanding the world of sorcerers. He introduces the concept of the “double,” exemplified by don Genaro’s seemingly impossible appearance, challenging my perceptions of reality and demanding that I embrace the unfathomable nature of existence through experience, rather than solely through reason. The chapter concludes with me witnessing Don Genaro’s “double” in a profound and baffling manner, leaving me with a deep sense of perplexity and a clear imperative to continue cultivating my personal power.

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A Witness to the Acts of Power – The Dreamer and the Dreamed

In this chapter, Don Juan and Don Genaro continued to challenge my rational understanding of reality. Don Juan clarified the concept of the ‘double,’ explaining that Don Genaro had appeared as his double the previous night, an entity born of dreaming that defies conventional physical laws. He emphasized that my struggles with belief stemmed from my reason attempting to confine experiences within its ‘description of the world.’ The core lesson, however, centered on ‘the dreamer and the dreamed,’ a profound notion that ultimately, we ourselves are dreams, dreamed by our own doubles, a mystery of luminous beings that can only be witnessed, not logically explained.

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A Witness to the Acts of Power – The Secret of The Luminous Beings

In this chapter, Don Juan and Don Genaro initiated a series of challenging tests designed to push me beyond my conventional understanding, culminating in a demonstration of “the secret of the luminous beings.” Through exercises in focusing my will and stopping internal dialogue, I experienced profound perceptual shifts, such as witnessing “the ally” as a moth and “seeing” people as energetic forms. Don Juan explained that all beings are luminous and that our perception is governed by an “assemblage point” that can be moved through discipline and personal power. The chapter concluded with Don Genaro’s astonishing reappearance, which further blurred the lines between ordinary reality and the sorcerers’ world, emphasizing that my reason alone was insufficient to grasp these events and that true understanding lay in direct perception and the cultivation of my will.

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The Tonal and the Nagual – Having to Believe

In this chapter, I met Don Juan in Mexico City, where he appeared in a suit, a deliberate incongruity designed to challenge my perception. He emphasized the warrior’s need for “impeccability” and “humbleness” over self-confidence, asserting that true understanding comes from accumulating personal power rather than seeking convenient explanations. Through the vivid retelling of my dream-control experiences and a symbolic story about two cats, Don Juan introduced the crucial distinction between merely “believing” and “having to believe”—the latter being a warrior’s conscious choice to accept unfathomable realities, particularly the omnipresent nature of death, as a source of power and mystery, exemplified by a dying man we observed in the park.

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The Tonal and the Nagual – Shrinking the Tonal

In this chapter, Castaneda recounts a disorienting experience in which Don Juan “shrinks” his tonal, causing him to be instantly transported a mile and a half away from an airline office to a bustling market. Don Juan explains this phenomenon as a deliberate manipulation of Castaneda’s tonal—the organizing principle of his known world—by startling it into a state of “shyness” or contraction, thereby allowing the nagual to temporarily take over and perform extraordinary feats. Castaneda struggles to reconcile this inexplicable event with his rational mind, prompting Don Juan to emphasize that such experiences exist beyond the realm of reason and are apprehended only through the body, in what he calls “nagual’s time.” The chapter concludes with Don Juan reiterating the importance of a fluid, balanced tonal for a warrior, and hinting at further explorations of the nagual with Don Genaro.

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The Tonal and the Nagual – In Nagual’s Time

Carlos recounts his Thursday return to the market where don Juan had “shoved” him, only to find the coin and book stands only appear on Sundays, confirming the unreality of his previous experience. Don Juan and don Genaro appear, teasing him about his physical appearance. Don Genaro demonstrates extraordinary feats like standing horizontally on a tree trunk and gliding through the air, which Carlos struggles to comprehend and often experiences with physical discomfort or an altered state of perception. Don Juan explains that these are manifestations of the nagual, a non-rational aspect of reality, and emphasizes the importance of a clean tonal (the rational self) to interact with the nagual without being overwhelmed or destroyed. He clarifies that while his role as teacher is to work with Carlos’s tonal, don Genaro, as Carlos’s benefactor, introduces him to the nagual, demonstrating its boundless possibilities, even if the “how” remains indescribable and outside the realm of rational understanding.

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Introduction

This introduction clarifies Castaneda’s decade-long apprenticeship with Yaqui sorcerer don Juan Matus, culminating in the “stopping of the world”—a state of altered perception crucial to sorcery, which he initially misunderstood as reliant on psychotropic plants. Don Juan’s teachings, which redefine reality as merely a “description,” involve “seeing” beyond conventional “looking,” and he employs unique, often shocking, tactics to break ingrained perceptions. The narrative details how Castaneda’s early notes, previously discarded due to their lack of focus on hallucinogens, are now reinstated as foundational to understanding don Juan’s method of teaching a new “description of the world” that challenges and ultimately transcends ordinary reality.

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