perception

Silent Knowledge – Dreaming

Ancient Cycle, Authors, Carlos Castaneda, Silent Knowledge / By / 4 minutes of reading

In this chapter, Castaneda explores the “art of dreaming,” which he defines as the sorcerers’ technique for breaking the parameters of normal perception to travel into the unknown. Don Juan explains that sorcerers’ dreaming (*ensoñar*) is different from ordinary dreaming (*soñar*) and is based on the deliberate displacement of the “assemblage point” from its usual position. This practice originated from the ancient sorcerers’ observation that the assemblage point moves naturally during sleep. The key to this art is the development of “dreaming attention,” a focused awareness that allows the practitioner to control the dream state and enter other real, energy-generating worlds. The art of dreaming is complemented by the “art of stalking,” which is the ability to hold the assemblage point fixed in its new position, allowing for a full exploration of these other realms.

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Silent Knowledge – Inner Silence

Ancient Cycle, Authors, Carlos Castaneda, Silent Knowledge / By / 3 minutes of reading

This chapter focuses on “inner silence,” the ultimate goal for the sorcerers of ancient Mexico and the culmination of the other four practices. Don Juan defined it as a natural state of perception free from the internal dialogue, where awareness becomes sharper and knowledge is instantaneous. This state is the matrix for an evolutionary leap called “silent knowledge”. Castaneda explains that it is achieved through the disciplined practice of forcing oneself to be silent for accumulating periods of time, until a personal threshold is crossed. He then recounts his own experience of reaching this threshold, which resulted in “stopping the world” and becoming consciously aware, for the first time, that he was *seeing* energy directly. Don Juan clarified that this was not a new perception, but rather becoming deliberately conscious of an awareness that had always been present.

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The Art of Dreaming – Author’s Note

Ancient Cycle, Authors, Carlos Castaneda, The Art of Dreaming / By / 8 minutes of reading

In this note, Castaneda explains that the sorcery don Juan Matus taught him is not about spells but about specialized premises regarding perception. He called this knowledge sorcery. Don Juan was an intermediary to an unseen world he called the second attention, and his primary method for accessing it was the art of dreaming. He taught that our world is just one of many, like layers of an onion, which we can perceive if we have sufficient energy. Castaneda describes his apprenticeship, including his interaction with two different groups of apprentices, the second of which included Florinda Donner-Grau, Taisha Abelar, and Carol Tiggs. They knew each other only in the second attention until the boundaries of that state began to collapse. It took him fifteen years to store enough energy to linearly recall my dreaming lessons.

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Sorcerers of Antiquity: an Introduction

Ancient Cycle, Authors, Carlos Castaneda, The Art of Dreaming / By / 28 minutes of reading

In this chapter, Castaneda recounts don Juan’s teachings about the sorcerers of antiquity, who, though brilliant, were obsessed with concreteness and power. Their modern counterparts, in contrast, seek the abstract: freedom. Don Juan explained that the ancients’ greatest achievement was learning to perceive energy directly, a capacity called *seeing*. This requires separating oneself from the “social mold” of perception, which dictates that the world is made only of concrete objects. He described the universe as being made of incandescent, conscious filaments of energy, and human beings as luminous egg-shaped balls of that energy. The key to perception, according to these ancient sorcerers, is a spot of intense brilliance on our energy body called the assemblage point, which assembles a certain number of energy filaments into our perceived reality. Displacing this point allows one to perceive other worlds. A “shift” of the point results in perceiving other worlds within the human domain, while a “movement” outside the luminous body leads to perceiving inconceivable, nonhuman worlds. He concluded by explaining that the old sorcerers, upon discovering that the assemblage point shifts easily during sleep, developed the art of dreaming to control this displacement at will.

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The Eagle’s Emanations

Ancient Cycle, Authors, Carlos Castaneda, The Fire from Within / By / 22 minutes of reading

Carlos and don Juan continue their discussion on awareness, specifically focusing on the first truth: the world is not composed of objects but of the “Eagle’s emanations.” Don Juan clarifies the distinction between the “known,” “unknown,” and “unknowable,” emphasizing that the unknown is within human reach through perception, while the unknowable remains beyond comprehension. He explains that the ancient seers made a crucial mistake by confusing these categories, leading to their downfall, a mistake corrected by the new seers who learned to map the unknown through controlled “seeing.” Don Juan describes the Eagle as the indescribable force that bestows awareness on sentient beings and devours it at death, an interpretation that both fascinates and terrifies Carlos. He further elucidates that human perception utilizes only a minute fraction of these emanations, and that “seeing” involves sensing the Eagle’s emanations as “filaments of light” that are inherently aware.

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The Glow of Awareness

Ancient Cycle, Authors, Carlos Castaneda, The Fire from Within / By / 21 minutes of reading

Don Juan and Don Genaro discuss the “glow of awareness,” explaining that perception is an alignment of emanations. They reveal that the luminosity of living beings comes from the Eagle’s emanations within their cocoons, and external emanations fixate this internal glow, leading to awareness. The old seers, masters of manipulating this glow, could make it spread within the cocoon. Don Juan highlights the importance of explanations in heightened awareness for warriors, as it’s a period of deep learning. He then emphasizes that sexual energy, if controlled and rechanneled rather than wasted, is crucial for a warrior’s energy and ability to “see.” Don Genaro humorously illustrates the dangers of uncontrolled sexual energy with stories from the nagual Julian’s teachings. They explain that children, in particular, drain the “glow of awareness” from their parents. The chapter concludes with Don Juan stating that seers cannot intervene to balance this, as the new cycle must come of itself, and their role is to be unbiased witnesses.

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The First Attention

Ancient Cycle, Authors, Carlos Castaneda, The Fire from Within / By / 21 minutes of reading

Don Juan begins to explain the “first attention,” which he defines as the highly developed, complex awareness that handles our day-to-day world. He states that this attention is responsible for taking an “inventory” of the Eagle’s emanations within our cocoons, a process unique to humans. He differentiates between “reason,” which ignores external impulses, and “self-absorption,” which uses them to agitate internal emanations, shortening life. The new seers, through “seeing,” understand that the first attention blocks the unknown, making us “invulnerable” but also limiting our perception. Don Juan, with Genaro’s help, demonstrates this by opening a door to “weird creatures” that Carlos’s first attention initially blocks from his perception, highlighting how our ordinary awareness acts as a shield against other realities. This experience leads to a hasty departure from Genaro’s house, as Carlos’s “first attention” is overwhelmed by the unknown.

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The Tonal and the Nagual – The Whispering of The Nagual

Ancient Cycle, Authors, Carlos Castaneda, Tales of Power / By / 26 minutes of reading

Carlos returns to Don Genaro’s house and is greeted by don Juan and don Genaro, who playfully tease him about his physical appearance. They then accompany him to a field of eucalyptus trees, where don Genaro performs gravity-defying feats, such as standing horizontally on a tree trunk and gliding through the air like an eel. Carlos experiences these events with a mix of awe, physical discomfort, and altered perceptions, such as seeing don Genaro as a furry crocodile. Don Juan explains that these are manifestations of the nagual, a non-rational aspect of reality that can only be witnessed, not explained, and that his role is to protect Carlos’s tonal (rational self) from being overwhelmed. They also discuss the importance of a clean tonal, how the nagual “splits” an individual, and the dangers of indulging in bewilderment when confronting the unknown. Don Juan emphasizes that a warrior must maintain impeccable control and distinguish between the world of the tonal and the world of the nagual, using his will to navigate between them.

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The Tonal and the Nagual – The Wings of Perception

Ancient Cycle, Authors, Carlos Castaneda, Tales of Power / By / 22 minutes of reading

Carlos spends a day in the mountains with don Juan, receiving instructions on his path. Upon returning, he talks with Pablito, don Genaro’s apprentice, who reveals his own terrifying encounters with the nagual, including a bizarre incident with a “breathing” basket. Don Juan and don Genaro later join them, teasing Carlos about his note-taking and sharing a humorous story that subtly highlights the nature of reality. They then induce a state in Carlos where his perception is “split,” allowing him to directly experience the essence of objects and the ground, and later to perceive his own body as an alien form in a surreal landscape. Don Juan explains that these experiences are about “splitting” a man to access his totality and that Carlos’s encounters are a glimpse into the “wings of perception,” which he must learn to unfold without his rational mind interfering.

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The Sorcerers’ Explanation – Three Witnesses to The Nagual

Ancient Cycle, Authors, Carlos Castaneda, Tales of Power / By / 28 minutes of reading

Carlos spends a day with don Juan in the mountains and later converses with Pablito, don Genaro’s apprentice, at don Genaro’s house. Pablito shares terrifying experiences with the nagual, including a detailed account of a possessed basket that transformed into don Juan’s face. Don Juan and don Genaro then return, teasing Carlos about his note-taking and his fear. They engage in a dual whispering technique that “splits” Carlos’s perception, allowing him to experience the essence of a tree and the ground directly, rather than through rational thought. He also has a vivid, dreamlike vision of his body as a distorted, inert form in a surreal yellow landscape with a giant female figure. Don Juan explains that these experiences are crucial for understanding the totality of oneself and are a manifestation of the “wings of perception” and the interaction between the tonal and the nagual. Carlos is left exhausted but with a deeper understanding of the sorcerers’ world, as the experiences demonstrate the possibility of perceiving beyond the ordinary and the importance of allowing the nagual to guide perception.

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