infinity

The Active Side of Infinity – Starting On The Definitive Journey: The Jump Into The Abyss

In this climactic chapter, don Juan announces that his time on Earth is over and he is leaving on his “definitive journey.” On a remote mesa, he tells Castaneda that his final task as an apprentice is to jump into an abyss, an act that will plunge him into infinity. Before the jump, however, Castaneda must say good-bye to all those he is indebted to. He recounts three formative relationships from his childhood: with Mr. Acosta, a hunter who taught him about solitariness; with Sho Velez, a young friend whose courage taught him that one must have something to die for; and with his grandmother and her adopted son Antoine, whose dramatic departure taught him about the finality of time. After shouting his thanks to these “ghosts,” don Juan gives his final words of advice, urging Castaneda to be impeccable and to forget the self. Then, don Juan and his party of fifteen sorcerers transform into luminous beings and ascend into the sky. Knowing his time has also run out, Castaneda runs at full speed and leaps into the abyss.

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The Active Side of Infinity – The Return Trip

This final chapter of the book details Castaneda’s experience immediately following his jump into the abyss. He awakens in his Los Angeles apartment with no memory of the return trip from Mexico, his body wracked with pain but his mind strangely calm and detached. The jump has shattered his linear perception of time and self, leaving him with quasi-memories and the stark realization that his old life is over. At a diner, he experiences a total unification of his being, as all his fragmented memories from states of heightened awareness become a single, continuous stream. He understands that this integration is a direct result of the jump. He now fully grasps his new condition as a “warrior-traveler,” for whom only energetic facts matter. He feels don Juan not as a person to be missed, but as an impersonal, silent passageway that he must now travel alone. The chapter ends with a strange, mentally unbalanced man screaming in terror upon seeing him, confirming Castaneda’s new, altered state of being and his ultimate aloneness.

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The Active Side of Infinity – Syntax and The Other Syntax

This consists of two poems that explore the relationship between language and the perception of reality. The first poem, “Syntax,” posits that our scientific understanding of the universe—having a definite beginning (the Big Bang), a development, and an end—is not an objective discovery but a mere reflection of the linear syntax of our language, which structures everything in terms of birth, growth, and death. The second poem, “The Other Syntax,” proposes an alternative worldview based on a different linguistic structure. In this other syntax, the universe is understood not through linear events but through “varieties of intensity.” From this perspective, there are no true beginnings or endings, only endless fluctuations of intensity.

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The Active Side of Infinity – The Intent of Infinity

In this chapter, don Juan asks Carlos Castaneda to recount in great detail his initial journey to find him, specifically his encounters with two men, Jorge Campos and Lucas Coronado. Castaneda describes how his search led him to Guaymas, where he met Jorge Campos, a charismatic but deceitful Yaqui entrepreneur who promised to lead him to don Juan for an exorbitant fee. Campos first introduced him to Lucas Coronado, a truculent Yaqui shaman and mask maker. After a series of manipulative events, Castaneda eventually finds don Juan through Lucas Coronado and his son, Ignacio. Upon hearing the full story, don Juan reveals that Campos and Coronado were not mere obstacles but essential parts of a map laid out by the “intent of infinity.” He explains that Campos, the ruthless con man, and Coronado, the sensitive, suffering artist, represent the two conflicting ends of Castaneda’s own being, and that their actions, guided by infinity, were necessary to bring Castaneda to his path as a sorcerer.

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The Active Side of Infinity – Who Was Juan Matus, Really?

In this chapter, Castaneda reflects on his first true meeting with don Juan, realizing the mental image he had constructed was entirely false. The real don Juan is powerful, athletic, and vital. Upon arriving, don Juan performs a “quasi-slap” without physical contact that instantly brings Castaneda into a state of profound clarity and peace. Don Juan then formally introduces himself as Juan Matus, the “nagual” or leader of a 27-generation lineage of sorcerers. He explains that sorcery is not witchcraft but the ability to perceive energy directly, a state of conscious awareness that sets sorcerers apart. He reveals that their meeting was orchestrated by the “intent of infinity,” which he describes as a palpable “tremor in the air,” and that he has been searching for a successor with a double energetic configuration—the new nagual—whom he has found in Castaneda. He describes past naguals as being “empty,” reflecting not the world, but infinity, a quality Castaneda later realizes don Juan embodies perfectly.

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Journal of Applied Hermeneutics – Third Principle of the Warrior’s Way: Perception Must Be Intended In Its Completeness

Castaneda presents the third premise of the warriors’ way: “Perception Must Be Intended In Its Completeness”. He relays that don Juan Matus taught that all perception is inherently neutral, and must be accepted without judgment. Don Juan distinguished his teachings as entries from a “book of navigation” detailing sorcerers’ direct perceptions. The key to this premise is reinterpreting energy without the mind, an act requiring the whole being. This complete interpretation is achieved through the union of the physical body and the “energy body”. Therefore, intending perception in its completeness means reinterpreting energy with both of these essential parts of oneself fully engaged.

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