infinity

The Active Side of Infinity – Syntax and The Other Syntax

This consists of two poems that explore the relationship between language and the perception of reality. The first poem, “Syntax,” posits that our scientific understanding of the universe—having a definite beginning (the Big Bang), a development, and an end—is not an objective discovery but a mere reflection of the linear syntax of our language, which structures everything in terms of birth, growth, and death. The second poem, “The Other Syntax,” proposes an alternative worldview based on a different linguistic structure. In this other syntax, the universe is understood not through linear events but through “varieties of intensity.” From this perspective, there are no true beginnings or endings, only endless fluctuations of intensity.

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The Active Side of Infinity – The Intent of Infinity

In this chapter, don Juan asks Carlos Castaneda to recount in great detail his initial journey to find him, specifically his encounters with two men, Jorge Campos and Lucas Coronado. Castaneda describes how his search led him to Guaymas, where he met Jorge Campos, a charismatic but deceitful Yaqui entrepreneur who promised to lead him to don Juan for an exorbitant fee. Campos first introduced him to Lucas Coronado, a truculent Yaqui shaman and mask maker. After a series of manipulative events, Castaneda eventually finds don Juan through Lucas Coronado and his son, Ignacio. Upon hearing the full story, don Juan reveals that Campos and Coronado were not mere obstacles but essential parts of a map laid out by the “intent of infinity.” He explains that Campos, the ruthless con man, and Coronado, the sensitive, suffering artist, represent the two conflicting ends of Castaneda’s own being, and that their actions, guided by infinity, were necessary to bring Castaneda to his path as a sorcerer.

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The Active Side of Infinity – Who Was Juan Matus, Really?

In this chapter, Castaneda reflects on his first true meeting with don Juan, realizing the mental image he had constructed was entirely false. The real don Juan is powerful, athletic, and vital. Upon arriving, don Juan performs a “quasi-slap” without physical contact that instantly brings Castaneda into a state of profound clarity and peace. Don Juan then formally introduces himself as Juan Matus, the “nagual” or leader of a 27-generation lineage of sorcerers. He explains that sorcery is not witchcraft but the ability to perceive energy directly, a state of conscious awareness that sets sorcerers apart. He reveals that their meeting was orchestrated by the “intent of infinity,” which he describes as a palpable “tremor in the air,” and that he has been searching for a successor with a double energetic configuration—the new nagual—whom he has found in Castaneda. He describes past naguals as being “empty,” reflecting not the world, but infinity, a quality Castaneda later realizes don Juan embodies perfectly.

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The Active Side of Infinity – The End of An Era: The Deep Concerns Of Everyday Life

In this chapter, Castaneda, feeling a strange emotional agitation, seeks don Juan’s counsel. Don Juan explains that this turmoil signifies the “end of an era” in his life, as his perception shifts and his time in the ordinary world runs out. At don Juan’s request for a “formal talk,” Castaneda recounts a recent attempt to change his life by moving to a new city for summer school. There, he took a job listening to tapes of people discussing their everyday problems and was horrified to realize their self-absorbed, repetitive complaints were identical to his own, shattering his sense of individuality. His disillusionment was compounded when his boss, a psychiatrist, subjected him to a long, sordid, and self-pitying account of a failed sexual encounter. The final blow came when his pompous anthropology professor made a lewd joke in class, collapsing Castaneda’s world under the weight of the mundane’s “deep concerns.” Overwhelmed, he fled back to Los Angeles, an experience don Juan finds hilarious, explaining it as Castaneda’s old world hitting him with its tail as it comes to an end.

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The Active Side of Infinity – The Unavoidable Appointment

In this chapter, Castaneda is consumed by guilt and depression over the death of his anthropologist friend, Bill, to whom he never replied to his last letter. He seeks out don Juan, who reveals he “saw” the moment of Bill’s death and had previously warned Castaneda about his friend’s declining state by describing the open “gap” in his luminous body, a sign visible to a sorcerer. Don Juan chastises Castaneda for his lack of “sobriety” and for believing he had infinite time, which led him to postpone thanking his friend, leaving him “stuck with a ghost on his tail.” The only recourse, he explains, is to keep his friend’s memory alive. He then teaches Castaneda about the nature of sadness for a sorcerer, explaining it as an impersonal, abstract force from infinity that affects them because they have no shields. To illustrate this, he tells the story of the Great Garrick, the world’s funniest comedian, who, when advised to see his own show to cure his melancholy, reveals his identity, showing he has no external cure for his profound sadness.

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Journal of Applied Hermeneutics – Third Principle of the Warrior’s Way: Perception Must Be Intended In Its Completeness

Castaneda presents the third premise of the warriors’ way: “Perception Must Be Intended In Its Completeness”. He relays that don Juan Matus taught that all perception is inherently neutral, and must be accepted without judgment. Don Juan distinguished his teachings as entries from a “book of navigation” detailing sorcerers’ direct perceptions. The key to this premise is reinterpreting energy without the mind, an act requiring the whole being. This complete interpretation is achieved through the union of the physical body and the “energy body”. Therefore, intending perception in its completeness means reinterpreting energy with both of these essential parts of oneself fully engaged.

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