“While dreaming-awake, we have access to hidden resources, which we never use ordinarily,” Nelida said, going on to explain that, the instant I saw my paper, I remembered the clues the caretaker had given me. Noticing my incredulous expression, she […]
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“Reflections on don Juan by Carlos Castaneda”by Keith Nichols Real root expansion of thought is one that causes us to reevaluate the way that we interpret our reality. Although at first it may only affect our intellectual perspectives, its repercussions
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Don Juan continues his teachings on the mastery of awareness, introducing the three cornerstones of the new seers’ practices: the mastery of stalking, the mastery of intent, and the mastery of dreaming. He explains that stalking, a systematic control of behavior, subtly shifts the assemblage point and was uniquely developed by the new seers to handle people. The mastery of intent involves understanding and purposefully guiding “will,” the energy of alignment that shapes perception. Don Juan then elaborates on dreaming, revealing it as the most effective way to move the assemblage point, starting with its natural shift during sleep. He details the dangers of dreaming, stressing the necessity of sobriety and the warriors’ way to cultivate the inner strength needed to guide the assemblage point. Castaneda witnesses Genaro’s dreaming body in action, a non-human luminous blob, and learns that true mastery allows one to wake up in different “dreaming positions.” The chapter emphasizes that impeccability and unbending intent are key to achieving these shifts and the full potential of a warrior, enabling even collective dreaming among seers.
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In this introduction, Castaneda presents the core concept of “silent knowledge,” described by his teacher, don Juan Matus, as the ultimate goal of the sorcerers of ancient Mexico. This state of awareness, where all pertinent knowledge is revealed directly to the being, is born from its matrix: “inner silence,” a state free from the internal dialogue. Castaneda recounts his difficulty in grasping these abstract ideas until don Juan offered a more modern analogy: becoming “readers of infinity.” He explains that rigid procedures are useless for this path; the key is reinforcing one’s link with a universal force called “intent.” Castaneda also introduces the “magical passes” as a practical means to achieve the physical and mental well-being necessary for this journey. Finally, he reveals that because he and his companions are the end of don Juan’s lineage, they have decided to make the magical passes public under the name “Tensegrity,” and he outlines the five main topics of the book that lead to silent knowledge.
In this chapter, Castaneda recounts his first in-depth discussion with don Juan Matus about the “magical passes,” which began with a criticism of his physical condition. Don Juan reveals he had been teaching Castaneda the passes all along, disguised as his habit of “cracking his joints.” He explains that these movements are not mere exercises but are truly “magical” because they can halt the mind’s normal “lines of similarity” and interrupt the mundane flow of reality, which is perceived as fixed and unchangeable. Don Juan also makes the startling claim that the mind is a “foreign installation” and that the passes help to overcome its influence. He reveals that the origin of the passes lies in the *dreaming* practices of ancient sorcerers, who discovered them as a way to recreate states of well-being and prepare for their “navigations into the unknown.”
In this chapter, Castaneda explores the “art of dreaming,” which he defines as the sorcerers’ technique for breaking the parameters of normal perception to travel into the unknown. Don Juan explains that sorcerers’ dreaming (*ensoñar*) is different from ordinary dreaming (*soñar*) and is based on the deliberate displacement of the “assemblage point” from its usual position. This practice originated from the ancient sorcerers’ observation that the assemblage point moves naturally during sleep. The key to this art is the development of “dreaming attention,” a focused awareness that allows the practitioner to control the dream state and enter other real, energy-generating worlds. The art of dreaming is complemented by the “art of stalking,” which is the ability to hold the assemblage point fixed in its new position, allowing for a full exploration of these other realms.
This final chapter is dedicated to “The Westwood Series,” a specific sequence of magical passes designed to integrate the other four “concerns” of the ancient sorcerers: the center for decisions, the Recapitulation, dreaming, and inner silence. Don Juan explained that the magical passes themselves act as an “agglutinating force,” a vibration that binds these other areas of practice into a single, functional unit. The chapter serves as a practical manual, organizing the series into four distinct sections, each corresponding to one of the other concerns. It then provides detailed descriptions and instructions for performing each of the individual passes within these four categories, outlining their specific movements and energetic purposes.
In this chapter, Castaneda recounts don Juan’s teachings about the sorcerers of antiquity, who, though brilliant, were obsessed with concreteness and power. Their modern counterparts, in contrast, seek the abstract: freedom. Don Juan explained that the ancients’ greatest achievement was learning to perceive energy directly, a capacity called *seeing*. This requires separating oneself from the “social mold” of perception, which dictates that the world is made only of concrete objects. He described the universe as being made of incandescent, conscious filaments of energy, and human beings as luminous egg-shaped balls of that energy. The key to perception, according to these ancient sorcerers, is a spot of intense brilliance on our energy body called the assemblage point, which assembles a certain number of energy filaments into our perceived reality. Displacing this point allows one to perceive other worlds. A “shift” of the point results in perceiving other worlds within the human domain, while a “movement” outside the luminous body leads to perceiving inconceivable, nonhuman worlds. He concluded by explaining that the old sorcerers, upon discovering that the assemblage point shifts easily during sleep, developed the art of dreaming to control this displacement at will.
Carlos recounts his arrival in Oaxaca where he meets don Juan, who immediately shifts him into a state of heightened awareness. Don Juan begins to explain the history of Toltec seers, distinguishing between the ancient Toltec seers—powerful sorcerers obsessed with their “seeing” that ultimately led to their downfall—and the new seers, who are warriors of total freedom. The new seers, having learned from the mistakes of the old, emphasize stalking, dreaming, and intent, and use their heightened awareness to seek freedom rather than control. Don Juan also explains that “seeing” is a profound form of knowing, not merely visual perception, and that the world is composed of “Eagle’s emanations” rather than solid objects. He emphasizes that the new seers have developed a systematic way to understand awareness that was lacking in the ancient Toltecs, who were destroyed by their own pursuits.
Carlos spends a day in the mountains with don Juan, receiving instructions on his path. Upon returning, he talks with Pablito, don Genaro’s apprentice, who reveals his own terrifying encounters with the nagual, including a bizarre incident with a “breathing” basket. Don Juan and don Genaro later join them, teasing Carlos about his note-taking and sharing a humorous story that subtly highlights the nature of reality. They then induce a state in Carlos where his perception is “split,” allowing him to directly experience the essence of objects and the ground, and later to perceive his own body as an alien form in a surreal landscape. Don Juan explains that these experiences are about “splitting” a man to access his totality and that Carlos’s encounters are a glimpse into the “wings of perception,” which he must learn to unfold without his rational mind interfering.
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