Towards the end of his lecture he gave a definition that I considered very important, because he touched on what I felt was a sensitive topic. He said: “Dreaming is not something impossible, it is just a kind of deep […]
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In the prologue to his work, Carlos Castaneda recounts the shift of his academic focus from anthropology to a personal journey into the world of sorcery under the tutelage of Don Juan Matus and Don Genaro Flores. After his teachers depart, Castaneda discovers nine other apprentices who now expect him to assume the role of their leader, the Nagual. This new responsibility, marked by intense clashes with the other apprentices, forces him into a state of profound self-discovery and obliges him to thoroughly review everything he has learned about the arts of dreaming and stalking in order to guide the group.
In this chapter, Carlos Castaneda discusses his visit to the Atlantean figures in Tula with the other apprentices. This prompts la Gorda to recount a terrifying experience with a power rock from other ruins, which resulted in Don Juan burying her for nine days to shield her from the “fixation of the second attention” of its deceased owner. The conversation reveals the dangers of ancient sites, which can act as traps for the second attention, and the two faces of its fixation: the evil one focused on worldly power, and the other focused on the journey into the unknown. The chapter explores the concepts of the three attentions, the luminous body, and not-doing, while highlighting the growing tension within the group and their expectation for Castaneda to act as the Nagual.
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In this chapter, Castaneda experiences a physical and mental crisis, which la Gorda identifies as him “losing the human form.” The tension culminates when Pablito runs away, forcing Castaneda to assert his Nagual authority by physically confronting the other apprentices; during this confrontation, he has a breakthrough and *sees* them as luminous beings for the first time. Later, on a trip to Oaxaca with la Gorda, the memory of Don Juan and a deep emotional connection between them catalyze a shared, sustained vision of people as “luminous eggs.” They realize they have achieved “seeing together,” a significant milestone, and la Gorda insists they must remain silent about the experience to preserve the power they have gained, hinting at a shared past that Castaneda cannot yet remember.
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In this chapter, Castaneda, urged by the apprentices, recounts his personal *dreaming* experiences, including his recurring visions of a saber-toothed tiger, which la Gorda identifies as a dangerous form of “ghost dreaming.” The focus then shifts dramatically when Josefina reveals that she regularly meets with the departed apprentice, Eligio, in her own dreams. Eligio’s mysterious message is that Castaneda is indeed the Nagual but is “not for them” and that he must “remember his left side” to fulfill his role. The situation intensifies as Nestor, Benigno, and Lydia also begin to surface strange “quasi-memories” of Castaneda teaching them things in a past they cannot logically place, causing Castaneda to have a visceral, uncontrollable physical reaction to the bewildering convergence of their other-worldly experiences.
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In this chapter, Carlos Castaneda recounts his first formal encounters with the warriors of don Juan’s party, which are structured as a series of introductions corresponding to the four cardinal directions. Each meeting is a bizarre and often jarring experience, designed as a lesson in stalking and controlled folly, forcing him to confront his own self-importance and preconceived notions. Castaneda is introduced to a host of unique and powerful individuals, including the dreamers and stalkers who guard the gates to the Nagual’s world, the enigmatic leader Silvio Manuel, and Florinda, who is designated as his future guide into the art of stalking.
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In this chapter, Carlos Castaneda is placed under the guidance of Zuleica to learn the esoteric intricacies of dreaming and the second attention. Through a series of ritualistic exercises conducted in total darkness, Zuleica teaches him the physical and energetic maneuvers required to enter the dreaming state, such as creating a “dent” in his luminous shell and merging his two sides of awareness. Castaneda learns to control his dreaming body and move by pure intent. The training progresses to group journeys where Zuleica leads him, la Gorda, and Josefina to otherworldly realms, directly exposing them to the perceptual realities of the second attention so they can develop their own “tales of eternity.”
In this chapter, don Juan clarifies that Castaneda’s previous “dream-fantasy” of meeting him in town was, in sorcery terms, a real “journey through the dark sea of awareness,” made possible by his accrued inner silence. He distinguishes this from “dreaming,” which he redefines as the art of deliberately displacing the assemblage point to perceive other worlds. After Castaneda recounts a memory of “seeing” a sleeping person’s assemblage point shift, don Juan prompts him to undertake a deliberate journey. From a state of inner silence, Castaneda finds himself transported with don Juan to a hostile Yaqui town where he can suddenly understand their language, not word by word, but in patterns of thought. He then finds himself in another town, where he perceives people not as luminous eggs, but as strange, insectlike cores of geometric shapes with a stringlike filament on top. After these inexplicable journeys, don Juan explains that this is what inner silence does: it breaks the continuity of time and allows one to travel through the dark sea of awareness, guided by the force of intent.
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In this chapter, Carlos Castaneda recounts don Juan’s explanation of the foundational principles of sorcery, established by brilliant but obsessive “sorcerers of antiquity.” Don Juan contrasts their focus on concrete power with modern sorcerers’ search for abstract freedom. The core discovery of the ancients was the ability to perceive energy directly, which they called “seeing.” This led to the identification of the human energy form as a “luminous egg” and its crucial feature: the “assemblage point,” a spot of brilliance that assembles filaments of universal energy into our perception of the world. Castaneda learns that displacing this point—either as a “shift” within the luminous egg or a “movement” outside of it—is the key to perceiving other worlds and is the basis for the “second attention” and the art of “dreaming,” which is defined as the willful displacement of the assemblage point during sleep.
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In this text, Carlos Castaneda recounts his increasingly intense and perilous experiences with dreaming under the guidance of his teacher, don Juan. Carlos Castaneda is warned about the manipulative nature of inorganic beings who inhabit a separate universe accessible through the gates of dreaming. As Castaneda delves deeper, particularly into the “shadows’ world,” he encounters an “emissary” and other energetic entities, eventually discovering a “prisoner scout” in the form of a little girl. Don Juan expresses grave concern, emphasizing the dangers of becoming trapped by these beings, who covet human energy and use elaborate drills to ensnare dreamers. Despite the warnings and escalating anxiety, Castaneda finds himself inexorably drawn to this other realm, culminating in a desperate attempt to free the prisoner scout by merging his own energy with hers.
