Don Juan Matus

The Eagle’s Gift – Prologue

Ancient Cycle, Authors, Carlos Castaneda, The Eagle's gift / By / 7 minutes of reading

In the prologue to his work, Carlos Castaneda recounts the shift of his academic focus from anthropology to a personal journey into the world of sorcery under the tutelage of Don Juan Matus and Don Genaro Flores. After his teachers depart, Castaneda discovers nine other apprentices who now expect him to assume the role of their leader, the Nagual. This new responsibility, marked by intense clashes with the other apprentices, forces him into a state of profound self-discovery and obliges him to thoroughly review everything he has learned about the arts of dreaming and stalking in order to guide the group.

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The Eagle’s Gift – The Other Self – The Fixation of The Second Attention

Ancient Cycle, Authors, Carlos Castaneda, The Eagle's gift / By / 31 minutes of reading

In this chapter, Carlos Castaneda discusses his visit to the Atlantean figures in Tula with the other apprentices. This prompts la Gorda to recount a terrifying experience with a power rock from other ruins, which resulted in Don Juan burying her for nine days to shield her from the “fixation of the second attention” of its deceased owner. The conversation reveals the dangers of ancient sites, which can act as traps for the second attention, and the two faces of its fixation: the evil one focused on worldly power, and the other focused on the journey into the unknown. The chapter explores the concepts of the three attentions, the luminous body, and not-doing, while highlighting the growing tension within the group and their expectation for Castaneda to act as the Nagual.

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The Eagle’s Gift – The Other Self – Seeing Together

Ancient Cycle, Authors, Carlos Castaneda, The Eagle's gift / By / 31 minutes of reading

In this chapter, Castaneda experiences a physical and mental crisis, which la Gorda identifies as him “losing the human form.” The tension culminates when Pablito runs away, forcing Castaneda to assert his Nagual authority by physically confronting the other apprentices; during this confrontation, he has a breakthrough and *sees* them as luminous beings for the first time. Later, on a trip to Oaxaca with la Gorda, the memory of Don Juan and a deep emotional connection between them catalyze a shared, sustained vision of people as “luminous eggs.” They realize they have achieved “seeing together,” a significant milestone, and la Gorda insists they must remain silent about the experience to preserve the power they have gained, hinting at a shared past that Castaneda cannot yet remember.

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The Eagle’s Gift – The Art of Dreaming – Losing The Human Form

Ancient Cycle, Authors, Carlos Castaneda, The Eagle's gift / By / 26 minutes of reading

In this chapter, Castaneda undergoes a harrowing physical ordeal which he and la Gorda identify as the final “loss of the human form,” resulting in a profound state of warrior’s detachment that erases his past resentments. This new state of being acts as a catalyst, unlocking a critical, completely forgotten memory of the “Nagual woman”—a serene and powerful counterpart to Don Juan who was, in fact, Castaneda’s partner. The shocking revelation that they could have forgotten such a pivotal figure plunges both him and la Gorda into a cycle of shared grief, rage, and fear as they begin to grapple with the true, terrifying extent of Don Juan’s manipulations on their memories and their very beings.

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The Eagle’s Gift – Dreaming Together

Ancient Cycle, Authors, Carlos Castaneda, The Eagle's gift / By / 38 minutes of reading

In this chapter, to overcome their shared distress, Castaneda and la Gorda decide to attempt “dreaming together.” Castaneda outlines his four stages of dreaming before they successfully enter a shared dream, which is a vivid memory of Don Juan assigning la Gorda to him as a task to harness his selfishness. This experience also triggers the memory of another forgotten member of their party, Vicente. The breakthrough forces them into a detailed analysis of the art of dreaming, exploring concepts like the second attention, not-doing, the dreaming body, and will. The discussion culminates in la Gorda’s revelation that will is the control of the “other self,” and that Silvio Manuel was the ultimate master of it, a being permanently existing in his other self and commanding intent itself.

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The Active Side of Infinity – Mud Shadows

Ancient Cycle, Authors, Carlos Castaneda, The Active side of Infinity / By / 32 minutes of reading

In this chapter, don Juan introduces Castaneda to what he calls the “topic of topics”: a predator from the depths of the cosmos that has taken over the rule of human lives. He explains that sorcerers can see these beings as fleeting, dark shadows, which he encourages Castaneda to perceive. According to don Juan, these predators, or “flyers,” consume the “glowing coat of awareness” that surrounds human beings, leaving only a narrow fringe which is the epicenter of our self-reflection. They keep humans docile and weak by giving us their mind—a foreign installation filled with contradiction, greed, and cowardice—and then feeding on the flares of awareness produced by our inane, self-absorbed problems. Don Juan states that the only deterrent is discipline, which makes a sorcerer’s awareness unpalatable. The ultimate goal is to tax the “flyer’s mind” with inner silence until it flees permanently. To give Castaneda a direct experience, don Juan guides him to “see” a flyer from a state of inner silence, resulting in a terrifying encounter with a gigantic, leaping “mud shadow” that leaves Castaneda physically and emotionally shattered, weeping for the helplessness of mankind.

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The Active Side of Infinity – The Active Side of Infinity

Ancient Cycle, Authors, Carlos Castaneda, The Active side of Infinity / By / 42 minutes of reading

In this chapter, Carlos Castaneda visits his teacher, don Juan Matus, who introduces the shamanic task of creating an “album of memorable events.” Don Juan explains that such a collection helps a warrior redeploy unused energy by focusing on events that are impersonal and universally significant, rather than egocentric. After Castaneda struggles and fails to produce a suitable story, don Juan prompts him to recount a specific memory from his time in Italy. Castaneda tells the story of being taken by a friend to a bordello to see a prostitute named Madame Ludmilla perform “figures in front of a mirror.” Her sad, clumsy, yet sweet performance to a haunting melody profoundly moves Castaneda, causing him to flee in despair. Don Juan confirms this event is perfect for the album because it has the “dark touch of the impersonal,” reflecting the condition of all human beings who, in their own way, make senseless figures in front of a mirror.

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The Active Side of Infinity – Starting On The Definitive Journey: The Jump Into The Abyss

Ancient Cycle, Authors, Carlos Castaneda, The Active side of Infinity / By / 44 minutes of reading

In this climactic chapter, don Juan announces that his time on Earth is over and he is leaving on his “definitive journey.” On a remote mesa, he tells Castaneda that his final task as an apprentice is to jump into an abyss, an act that will plunge him into infinity. Before the jump, however, Castaneda must say good-bye to all those he is indebted to. He recounts three formative relationships from his childhood: with Mr. Acosta, a hunter who taught him about solitariness; with Sho Velez, a young friend whose courage taught him that one must have something to die for; and with his grandmother and her adopted son Antoine, whose dramatic departure taught him about the finality of time. After shouting his thanks to these “ghosts,” don Juan gives his final words of advice, urging Castaneda to be impeccable and to forget the self. Then, don Juan and his party of fifteen sorcerers transform into luminous beings and ascend into the sky. Knowing his time has also run out, Castaneda runs at full speed and leaps into the abyss.

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The Active Side of Infinity – A Tremor in The Air: A Journey of Power

Ancient Cycle, Authors, Carlos Castaneda, The Active side of Infinity / By / 22 minutes of reading

In this chapter, Carlos Castaneda recounts the events leading to his first meeting with don Juan Matus. Initially, his academic ambitions to conduct fieldwork on medicinal plants are dismissed by his anthropology professors as outdated and irrelevant. Feeling defeated, Castaneda is persuaded by his friend and fellow anthropologist, Bill, to join him on a road trip through Arizona and New Mexico. During their journey, Bill reveals a hidden, personal side, sharing unsettling and unexplainable stories of his encounters with shamans who could transform or appear as apparitions, which deeply affects Castaneda. The trip culminates at a bus depot in Nogales, where Bill points out a mysterious old man he believes to be a powerful sorcerer. Acting on a strange impulse, Castaneda confronts the man, who introduces himself as Juan Matus and cryptically invites him for a future meeting before vanishing onto a bus. This brief, powerful encounter leaves Bill jealous and perplexed, and instills in Castaneda a profound and unfamiliar sense of longing and anxiety.

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The Active Side of Infinity – The Return Trip

Ancient Cycle, Authors, Carlos Castaneda, The Active side of Infinity / By / 17 minutes of reading

This final chapter of the book details Castaneda’s experience immediately following his jump into the abyss. He awakens in his Los Angeles apartment with no memory of the return trip from Mexico, his body wracked with pain but his mind strangely calm and detached. The jump has shattered his linear perception of time and self, leaving him with quasi-memories and the stark realization that his old life is over. At a diner, he experiences a total unification of his being, as all his fragmented memories from states of heightened awareness become a single, continuous stream. He understands that this integration is a direct result of the jump. He now fully grasps his new condition as a “warrior-traveler,” for whom only energetic facts matter. He feels don Juan not as a person to be missed, but as an impersonal, silent passageway that he must now travel alone. The chapter ends with a strange, mentally unbalanced man screaming in terror upon seeing him, confirming Castaneda’s new, altered state of being and his ultimate aloneness.

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