carlos castañeda

The Active Side of Infinity – The Active Side of Infinity

Ancient Cycle, Authors, Carlos Castaneda, The Active side of Infinity / By / 42 minutes of reading

In this chapter, Carlos Castaneda visits his teacher, don Juan Matus, who introduces the shamanic task of creating an “album of memorable events.” Don Juan explains that such a collection helps a warrior redeploy unused energy by focusing on events that are impersonal and universally significant, rather than egocentric. After Castaneda struggles and fails to produce a suitable story, don Juan prompts him to recount a specific memory from his time in Italy. Castaneda tells the story of being taken by a friend to a bordello to see a prostitute named Madame Ludmilla perform “figures in front of a mirror.” Her sad, clumsy, yet sweet performance to a haunting melody profoundly moves Castaneda, causing him to flee in despair. Don Juan confirms this event is perfect for the album because it has the “dark touch of the impersonal,” reflecting the condition of all human beings who, in their own way, make senseless figures in front of a mirror.

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Flying on the Wings of Intent – The Art of Dreaming

Ancient Cycle, Authors, Carlos Castaneda, The Art of Dreaming / By / 31 minutes of reading

After a prolonged encounter with the death defier, Carlos Castaneda awakens to find his fellow apprentice, Carol Tiggs, caring for him. Disoriented and partially paralyzed, he learns from her that he is in a hotel after being found naked near the church. Carol, displaying a new lucidity, explains that they are both intending in the second attention, a gift from the death defier that allows them to dream themselves into another time. Castaneda is consumed by affection for her but is soon pulled into a vortex. He later awakens alone and discovers from a distraught don Juan that he has been missing for nine days and that the real Carol Tiggs was never there. Don Juan deduces that the death defier used her own energy and Castaneda’s to create a “dream Carol” of pure intent, and that both the real Carol and the death defier have now merged and escaped this world, flying on the “wings of intent”—an abstract gift and a fate now shared with Castaneda.

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Author’s Note – The Art of Dreaming

Ancient Cycle, Authors, Carlos Castaneda, The Art of Dreaming / By / 8 minutes of reading

In this introductory note, Carlos Castaneda clarifies his use of the term “sorcery” to describe the teachings of his mentor, don Juan Matus, distinguishing it from conventional definitions. He explains that for don Juan, sorcery is about manipulating perception to access other real worlds, a practice called “the art of dreaming.” Castaneda recounts his own experiences learning this art, his interactions with two distinct groups of apprentices, and the challenges of reconciling his experiences in the “second attention” with everyday reality. He states that the purpose of this book is to rearrange and present don Juan’s lessons on dreaming in a linear fashion, made possible by years of dedicated practice, and to ultimately explain the legacy don Juan left to his final students as an act of gratitude.

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The Tenant – The Art of Dreaming

Ancient Cycle, Authors, Carlos Castaneda, The Art of Dreaming / By / 32 minutes of reading

In this chapter, don Juan Matus informs Carlos Castaneda that his formal instruction in dreaming is over, but he must outline the fourth gate of dreaming. He takes Castaneda to a town in southern Mexico for a final lesson, which is to be delivered by a mysterious visitor. This visitor is revealed to be the “tenant,” an ancient sorcerer also known as the death defier. Castaneda is overcome with panic and revulsion when he discovers the tenant, who he had previously met as a man, is now a woman. Don Juan explains that for such a powerful sorcerer, gender is a matter of choice, achieved by shifting the assemblage point. Castaneda must now face the tenant alone to make a decision about accepting or rejecting the tenant’s “gifts of power,” a choice that every nagual in their lineage has had to make.

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The Woman in the Church – The Art of Dreaming

Ancient Cycle, Authors, Carlos Castaneda, The Art of Dreaming / By / 33 minutes of reading

After being left by don Juan, Carlos Castaneda kneels in the church next to the death defier, an ancient sorcerer who appears as a woman. Initially terrified, he is mesmerized by her voice and presence. He offers her his energy freely but refuses her obligatory “gifts of power.” The woman then pulls him into the second attention, revealing the church and town as they existed in a different time, a product of her own intent. She explains the sorcerers’ art of creating veritable realms in dreaming through visualization and the technique of “twin positions.” Castaneda explores this tangible dream world with her, learning that only she generates energy within it. The experience culminates in a terrifying realization that their current reality might also be a shared dream, causing him to lose consciousness in a spinning descent into blackness.

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The Author’s Commentaries on the Occasion of the Thirtieth Year of Publication of The Teachings of Don Juan: A Yaqui Way of Knowledge

Ancient Cycle, Authors, Carlos Castaneda, The Teachings of Don Juan / By / 18 minutes of reading

In this commentary, Carlos Castaneda reflects on the thirtieth anniversary of his book, “The Teachings of Don Juan: A Yaqui Way of Knowledge.” He discusses the initial challenges of his anthropological fieldwork with the Yaqui shaman Don Juan Matus, highlighting the support of Dr. Clement Meighan and Professor Harold Garfinkel, whose influences shaped his deep immersion into the study of shamanistic cognition. Castaneda explains that his work evolved from mere data collection to internalizing the shamans’ unique perception of reality, which centers on energetic facts like “seeing” energy directly and the concept of the assemblage point. He elaborates on the shamans’ understanding of the cosmos, awareness, and the “definitive journey” beyond death, presenting these insights as a “cognitive revolution” offered by Don Juan.

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Journal of Applied Hermeneutics – Who are the Chacmools?

A Journal of Applied Hermeneutics, Ancient Cycle, Authors, Carlos Castaneda / By / 2 minutes of reading

In this query section, Castaneda addresses the question about the “chacmools,” a name given to instructors Kylie Lundahl, Reni Murez, and Nyei Murez. He explains the term’s origin, which don Juan Matus associated with warrior guardians protecting sacred sites. Castaneda clarifies that the title is not exclusive; anyone who accepts the responsibility of guarding, including himself and Carol Tiggs, becomes a chacmool. He notes that these three women were the first to bring the magical passes to the public and are now moving to a new phase on the warrior’s path.

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Journal of Applied Hermeneutics – What is Tensegrity?

A Journal of Applied Hermeneutics, Ancient Cycle, Authors, Carlos Castaneda / By / 5 minutes of reading

Castaneda explains Tensegrity’s origins as a modernized version of “magical passes” from don Juan Matus’s lineage. He recounts don Juan’s teachings about ancient sorcerers who could perceive energy directly (‘seeing’), which revealed the human ‘assemblage point’ where perception is assembled. By studying this point’s movement, they developed the ‘art of dreaming’ and the magical passes. Castaneda notes that after learning these passes in secret, he and his fellow disciples decided to make them public as Tensegrity, a name signifying the tension and integrity that are the driving forces of the movements.

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Journal of Applied Hermeneutics – Announcements

A Journal of Applied Hermeneutics, Ancient Cycle, Authors, Carlos Castaneda / By / 2 minutes of reading

This section details Cleargreen’s 1996 event schedule. It announces a San Francisco seminar on “Intentionality” with new instructors called the Pathfinders , and a Los Angeles seminar on “The Female Energy Body” featuring lectures by Castaneda, Carol Tiggs, and others. The release of new Tensegrity videos (“Redistributing Dispersed Energy” and “Twelve Basic Movements”) is also announced , along with the Spanish edition of Castaneda’s book, “The Art of Dreaming”. Subscription and contact details for the journal are provided.

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The Fire from Within – Foreword

Ancient Cycle, Authors, Carlos Castaneda, The Fire from Within / By / 7 minutes of reading

Carlos Castaneda introduces “The Fire from Within” as an account of his apprenticeship with don Juan Matus, focusing on the “teachings for the left side” – lessons given in states of heightened awareness that were previously difficult to recall. He explains that his earlier writings depicted don Juan as a sorcerer and focused on “teachings for the right side,” but this book reveals that don Juan and his companions are actually “seers” and masters of ancient knowledge: awareness, stalking, and intent. Don Juan, as a “nagual,” is the leader of a party of seers, and Carlos himself is the nominal leader of a “new nagual’s party.” Carlos describes heightened awareness as a state of intense perceptual clarity where one can focus with uncommon force, yet it is not easily remembered in normal awareness. He details the ritualistic way he would enter this state and the profound joy and unsettling sadness it brought. The book specifically delves into the “mastery of awareness,” which don Juan presents as a modern version of the ancient Toltec seers’ tradition, refined by “new seers” who are warriors of total freedom, capable of choosing their departure from the world by being consumed by a “fire from within.”

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