26 May
Book excerpts, Carlos Castaneda, Journey to Ixtlan

Part One: Stopping the World – Death is an Adviser

Don Juan continues to challenge Castaneda’s academic approach by refusing to be a conventional informant and instead pushing him to abandon self-importance and personal history. Through a vivid recollection of Castaneda’s childhood encounter with a white falcon, Don Juan introduces the concept of death as an eternal companion and wise advisor, always present and capable of stripping away pettiness. This intense interaction, marked by don Juan’s unsettling gaze and the perception of omens, profoundly shifts Castaneda’s perspective, leading him to appreciate the desert’s mysteries and the importance of experiencing reality beyond intellectualizing it.

Continue reading

26 May
Book excerpts, Carlos Castaneda, Journey to Ixtlan

Part One: Stopping the World – Reaffirmations from the World Around Us

During their initial meetings, Castaneda attempts to interview don Juan Matus, a Yaqui Indian, about hallucinogenic plants. Don Juan, however, subtly challenges Castaneda’s academic approach and preconceived notions, demonstrating his unique wisdom through cryptic remarks and a powerful, unsettling gaze that silences Castaneda. Don Juan uses a parable to illustrate the futility of rigid preparation and repeatedly asserts that “the world” (including nature and inanimate objects) “agrees” with him, implying a deeper, interconnected understanding. He refuses to be recorded or photographed, emphasizing that the crucial element for understanding is “the spirit,” not external tools, and sets the stage for a different kind of learning.

Continue reading

26 May
Book excerpts, Carlos Castaneda, Journey to Ixtlan

Introduction

This introduction clarifies Castaneda’s decade-long apprenticeship with Yaqui sorcerer don Juan Matus, culminating in the “stopping of the world”—a state of altered perception crucial to sorcery, which he initially misunderstood as reliant on psychotropic plants. Don Juan’s teachings, which redefine reality as merely a “description,” involve “seeing” beyond conventional “looking,” and he employs unique, often shocking, tactics to break ingrained perceptions. The narrative details how Castaneda’s early notes, previously discarded due to their lack of focus on hallucinogens, are now reinstated as foundational to understanding don Juan’s method of teaching a new “description of the world” that challenges and ultimately transcends ordinary reality.

Continue reading