Until recently, human beings used to receive, in their daily lives, media that reinforced a linear worldview.
Where what was shown in images and videos were always scenes that reaffirmed a predictable description of reality. Even though there was slightly more surprising news, it was always somehow coherent and logical with what was already known.
Those who brought non-linear visions – in films and series – still almost always had a narrative conditioned by financial interests, reinforcing certain specific information about reality.
But, in about two years, the production capacity of programmable AIs took a leap forward in realism. And suddenly, ordinary people have the possibility of generating and receiving, on their social networks, realistic images and even videos showing a diversity of non-linear situations.
We are reaching a threshold where human imagination is having the possibility of promoting non-linear stimuli within everyday life.
Of bringing new images of the unknown into the known more easily.
And where the ability to generate realistic videos, which until then used to have a narrative controlled by large studios and the service of financial interests, is now also beginning to serve imaginative freedom – in several ways. With the impact of creating videos so realistic that it becomes increasingly challenging to distinguish the old linear known from the dreamlike unknown. And this will make people question or at least make their own certainty about reality more flexible.
This is all a movement that leads to the loosening of the assemblage point and the narrative of reality.
And the effect of this is to promote an attraction of collective assemblage point change.
In general, on the one hand, there will be people who will generate and extract content and communications produced by programmable AIs to accelerate the alignment of new apocalyptic versions of reality increasingly based on fears and desires arising from unconscious fears.
And on the other hand, there will be people who will generate and consume content and media to accelerate the awareness of their consciousness to the existence of other assemblage point positions, parallel realities. Thus making their tones more flexible and malleable to experience a new consensus of greater tonal-nagual integration.
Both possible and respective positions already exist.
Where each one will go always depends solely and exclusively on their own intent here and now.
The intense contrasts that we see happening today on a collective level are an opportunity.
The opportunity to make our choice as deliberately as possible.
Jeremy Christopher
