reason

The First Attention

Don Juan begins to explain the “first attention,” which he defines as the highly developed, complex awareness that handles our day-to-day world. He states that this attention is responsible for taking an “inventory” of the Eagle’s emanations within our cocoons, a process unique to humans. He differentiates between “reason,” which ignores external impulses, and “self-absorption,” which uses them to agitate internal emanations, shortening life. The new seers, through “seeing,” understand that the first attention blocks the unknown, making us “invulnerable” but also limiting our perception. Don Juan, with Genaro’s help, demonstrates this by opening a door to “weird creatures” that Carlos’s first attention initially blocks from his perception, highlighting how our ordinary awareness acts as a shield against other realities. This experience leads to a hasty departure from Genaro’s house, as Carlos’s “first attention” is overwhelmed by the unknown.

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A Witness to the Acts of Power – The Dreamer and the Dreamed

In this chapter, Don Juan and Don Genaro continued to challenge my rational understanding of reality. Don Juan clarified the concept of the ‘double,’ explaining that Don Genaro had appeared as his double the previous night, an entity born of dreaming that defies conventional physical laws. He emphasized that my struggles with belief stemmed from my reason attempting to confine experiences within its ‘description of the world.’ The core lesson, however, centered on ‘the dreamer and the dreamed,’ a profound notion that ultimately, we ourselves are dreams, dreamed by our own doubles, a mystery of luminous beings that can only be witnessed, not logically explained.

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The Tonal and the Nagual – The Island of The Tonal

In this chapter, Don Juan introduces the concepts of “tonal” and “nagual” as the two fundamental aspects of every human being, dispelling my anthropological preconceptions. He explains that the tonal is the “social person,” the organizer of the world, encompassing everything we know, perceive, and can talk about, forming an “island” of our known reality. Conversely, the nagual is the indescribable, unknown part of ourselves, existing “beyond the island,” the source of power and creativity that cannot be grasped by reason but only experienced. Don Juan uses various analogies, like items on a table, to illustrate these abstract concepts, emphasizing that the tonal, though crucial for navigating the world, often becomes a “guard” rather than a “guardian,” suppressing the awareness of the nagual. He stresses that true knowledge lies in recognizing and balancing these two aspects, a challenge for any warrior.

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