intent

Journal of Applied Hermeneutics – The First Principle of the Warrior’s Way: We Are Perceptors

Here, Castaneda introduces the first premise of the warriors’ way as taught by don Juan Matus: “We Are Perceptors”. He explains that while this seems obvious, it is a profound statement for sorcerers, highlighting that humanity’s basic orientation is perceiving. According to don Juan, humans interpret a minimal influx of energy through a system called the “human form,” creating a world that is mostly interpretation rather than direct perception. The premise is thus a call from sorcerers to return to humanity’s original state of direct perceiving.

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Journal of Applied Hermeneutics – What is Intentionality?

Castaneda begins with a note on his use of language before exploring “intentionality,” seeking to move beyond standard philosophy. He traces the term from the medieval Scholastics to the 19th-century philosopher Franz Brentano, who defined it as the unique characteristic of mental phenomena to be directed toward an object. Castaneda then connects this to the sorcery concept of “calling intent”. From a sorcerer’s perspective, he explains, intent is not a mental product but a tangible, energetic force that exists outside the physical body and can be engaged with.

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Journal of Applied Hermeneutics – A New Area for Philosophical Inquiry

Castaneda proposes a new area for philosophical inquiry based on two core concepts from ancient Mexican sorcerers: “seeing” and “intent”. He defines “seeing” as the human capacity to directly perceive energy as it flows in the universe, using the entire organism. “Intent” is described as a conscious, universal force that sorcerers can engage with through the act of “intending”. Castaneda argues that the direct perception of energy can create a new form of subjectivity, free from the limits of language, allowing for a pragmatic and active intentionality that could transform philosophy into a practical discipline.

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Silent Knowledge – Introduction

In this introduction, Castaneda presents the core concept of “silent knowledge,” described by his teacher, don Juan Matus, as the ultimate goal of the sorcerers of ancient Mexico. This state of awareness, where all pertinent knowledge is revealed directly to the being, is born from its matrix: “inner silence,” a state free from the internal dialogue. Castaneda recounts his difficulty in grasping these abstract ideas until don Juan offered a more modern analogy: becoming “readers of infinity.” He explains that rigid procedures are useless for this path; the key is reinforcing one’s link with a universal force called “intent.” Castaneda also introduces the “magical passes” as a practical means to achieve the physical and mental well-being necessary for this journey. Finally, he reveals that because he and his companions are the end of don Juan’s lineage, they have decided to make the magical passes public under the name “Tensegrity,” and he outlines the five main topics of the book that lead to silent knowledge.

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Silent Knowledge – The Magical Passes

In this chapter, Castaneda recounts his first in-depth discussion with don Juan Matus about the “magical passes,” which began with a criticism of his physical condition. Don Juan reveals he had been teaching Castaneda the passes all along, disguised as his habit of “cracking his joints.” He explains that these movements are not mere exercises but are truly “magical” because they can halt the mind’s normal “lines of similarity” and interrupt the mundane flow of reality, which is perceived as fixed and unchangeable. Don Juan also makes the startling claim that the mind is a “foreign installation” and that the passes help to overcome its influence. He reveals that the origin of the passes lies in the *dreaming* practices of ancient sorcerers, who discovered them as a way to recreate states of well-being and prepare for their “navigations into the unknown.”

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The Fire from Within – Foreword

Carlos Castaneda introduces “The Fire from Within” as an account of his apprenticeship with don Juan Matus, focusing on the “teachings for the left side” – lessons given in states of heightened awareness that were previously difficult to recall. He explains that his earlier writings depicted don Juan as a sorcerer and focused on “teachings for the right side,” but this book reveals that don Juan and his companions are actually “seers” and masters of ancient knowledge: awareness, stalking, and intent. Don Juan, as a “nagual,” is the leader of a party of seers, and Carlos himself is the nominal leader of a “new nagual’s party.” Carlos describes heightened awareness as a state of intense perceptual clarity where one can focus with uncommon force, yet it is not easily remembered in normal awareness. He details the ritualistic way he would enter this state and the profound joy and unsettling sadness it brought. The book specifically delves into the “mastery of awareness,” which don Juan presents as a modern version of the ancient Toltec seers’ tradition, refined by “new seers” who are warriors of total freedom, capable of choosing their departure from the world by being consumed by a “fire from within.”

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The New Seers

Carlos recounts his arrival in Oaxaca where he meets don Juan, who immediately shifts him into a state of heightened awareness. Don Juan begins to explain the history of Toltec seers, distinguishing between the ancient Toltec seers—powerful sorcerers obsessed with their “seeing” that ultimately led to their downfall—and the new seers, who are warriors of total freedom. The new seers, having learned from the mistakes of the old, emphasize stalking, dreaming, and intent, and use their heightened awareness to seek freedom rather than control. Don Juan also explains that “seeing” is a profound form of knowing, not merely visual perception, and that the world is composed of “Eagle’s emanations” rather than solid objects. He emphasizes that the new seers have developed a systematic way to understand awareness that was lacking in the ancient Toltecs, who were destroyed by their own pursuits.

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The Requirements of Intent – Intending Appearances

In this account, Castaneda describes an extraordinary experience where his reasoning faculties ceased, and he felt a profound physical elation, being propelled through the chaparral without fatigue, a state don Juan later calls entering “silent knowledge” due to a movement of his assemblage point. During this, Castaneda perceives himself “looming over the bushes” and experiences being “here and here,” simultaneously observing the desert floor and the tops of shrubs, and being in two places at once (his standing spot and the jaguar’s location). This state allowed him to witness a real jaguar that he pursued, despite his academic mind trying to rationalize it as a mountain lion due to the unusual fauna. Don Juan explains that this spontaneous shift of Castaneda’s assemblage point was a result of the “spirit” moving it, and that for a sorcerer, intent—which is the spirit—can manipulate this point. He clarifies the difference between a profound “movement” and a smaller “shift” of the assemblage point and introduces the “third point” as freedom of perception, intent, and the spirit, which allows for a tridimensional perception beyond the usual two-dimensional reality. Don Juan emphasizes that while Castaneda’s experience was vital for him to access silent knowledge, the jaguar itself was the true manifestation of the spirit, a source of awe and magic, serving as a vehicle for his realizations. He also highlights the “macabre connection between stupidity and self-reflection” in average men who are blind to the existence and manipulability of the assemblage point and fear the freedom that sorcery offers.

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The Requirements of Intent – The Two One-Way Bridges

Castaneda reflects on his “here and here” experience, prompting don Juan to explain that such a “movement of the assemblage point” is a sorcerer’s goal, achieved through impeccability and curtailing self-reflection to access inner energy. Don Juan recounts his own initiation by nagual Julian, who, to teach him about the spirit, threw him into a raging river, forcing a shift into silent knowledge and split perception. Don Juan later learns from nagual Elías that Julian’s act was a masterful display of “waking up intent” to bring him to the “third point”—freedom of perception. This “third point” is a bridge from “reason” (the current human state) back to “silent knowledge,” accessible through “concern” and “pure understanding,” with the spirit responding to “gestures” of true abandon rather than words.

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